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Laurie Ashbourne got her start in the industry with Walt Disney Studios, she is a writer-producer, artist, and script doctor with over 25 produced credits to her name and many in various stages of production right now, including a sitcom with Kenan Thompson, an animated feature with the director of MULAN, and an original story she wrote (10-31) was recently purchased and fast-tracked to production with acclaimed producers Eli Roth and Roger Birnbaum. A feature length Christmas comedy she wrote and produced is in post production for release in 2022. She also acts as a creative producer in the documentary space, with renown directors such as David Modigliani (RUNNING WITH BETO, 61 BULLETS, CRAWFORD) and Robert Greenwald (XANADU, STEAL THIS MOVIE) and his Brave New Films banner where she co-produced, SUPPRESSED - the fight to vote (2020), and RACIALLY CHARGED (2021), featuring two-time Oscar winner, Mahershala Ali. Full Bio »
The Breakdown
Laurie Ashbourne got her start in the industry with Walt Disney Studios, she is a writer-producer, artist, and script doctor with over 25 produced credits to her name and many in various stages of production right now, including a sitcom with Kenan Thompson, an animated feature with the director of MULAN, and an original story she wrote (10-31) was recently purchased and fast-tracked to production with acclaimed producers Eli Roth and Roger Birnbaum. A feature length Christmas comedy she wrote and produced is in post production for release in 2022. She also acts as a creative producer in the documentary space, with renown directors such as David Modigliani (RUNNING WITH BETO, 61 BULLETS, CRAWFORD) and Robert Greenwald (XANADU, STEAL THIS MOVIE) and his Brave New Films banner where she co-produced, SUPPRESSED - the fight to vote (2020), and RACIALLY CHARGED (2021), featuring two-time Oscar winner, Mahershala Ali.
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Writers can't rely on jump-scares and creepy music, so how do screenwriters create tension on the page? We'll take a look at needling suspense of THE BABADOOK, the tension just below the surface in GET OUT, the apocalyptic horror of “The Walking Dead”, and the creeps and chills of IT.
Nick Waters is a Producer and Writer with the horror film, MARGAUX for Paramount Pictures, a comedy with Chloe Grace Moretz and the horror feature SHELTER IN PLACE. Nick will discuss the 8-Sequence Act Structure for Features!
Everyone loves a good thrill! In this webcast we will break down what makes Horror, Thriller and other genre scripts so appealing - and why they continue to dominate box offices around the world.
We're back in the Writers' Room for the Breakdown Webcast: The First 10 Pages! The first 10 pages - or the opening sequence of the script - is so important and a good "First 10" will establish the tone and genre, introduce the main character, clarify the world of the story and the status quo, indicate the theme, and above all set up the dramatic question. That is why we will be breaking down some of the most memorable scenes and sequences found with the first 10 pages of our favorite film and TV series. We will also explore 7 types of openings and how they can launch your narrative - without falling into the trap of...
We're back in the Writers Room this afternoon for The Breakdown with Eric Zimmerman. Eric Zimmerman was a Writer/Producer on Freeform's BABY DADDY for its entire 100 episode run. Eric got his start on IT'S ALWAYS SUNNY IN PHILADELPHIA by doing the one thing you're never supposed to do - handing the creators a spec of their own series. Since then, he's spent the last fifteen years staffed on a wide variety of comedies - from adult animated shows like MONGO WRESTLING ALLIANCE (Adult Swim) and the critically-acclaimed DAN VS (The Hub). Last year, he finished his third and final season as a Co-EP on...
Many times in writing our projects do not have a strong enough inciting incident to effectively kick off the narrative. During this webcast we will look at moments everything changed for our protagonists and they were launched on their journey. Every event that happens subsequently will be traced back to this one monumental event. We will examine the inciting incidents of films as well as television shows and explain how they changed the world in an irreversible way. Examples include films such as Monsters Inc., Saving Private Ryan, "The Sopranos," "Breaking Bad," and more!
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