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Using the Breakdown Webcast: Writing Horror you are challenged to scour the internet, libraries, news articles, folklore, mythology, or your own personal experiences to find a core of an idea to develop into a Horror, Thriller, Mystery, or Suspense. Full Bio »
Using the Breakdown Webcast: Writing Horror you are challenged to scour the internet, libraries, news articles, folklore, mythology, or your own personal experiences to find a core of an idea to develop into a Horror, Thriller, Mystery, or Suspense.
The Write Now Challenge
Using the Breakdown Webcast: Writing Horror you are challenged to scour the internet, libraries, news articles, folklore, mythology, or your own personal experiences to find a core of an idea to develop into a Horror, Thriller, Mystery, or Suspense.
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"Thank you for sharing! Love this stuff!" -Monica M.
"Kay your concept was so good. This version is the one I want to see. Your own heritage adds so much authenticity to it." -Petula M.
Whether it’s epic battles between giant robots, a street fight, or someone chasing after the love of their life at the airport, the vast majority of movies and television use at least a bit of action writing. So we are challenged you to write an original or polish a scene with action, and really focus on making those moments of movement pop!
For this challenge, using the Breakdown Webcast: Why Can't We Be Friends as your guide, craft a 1-3 page scene of conflict amongst allies.
They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
Write a 1-3 page scene that you will actually be able to shoot within the rest of 2022. Make sure it is producible for a reasonable budget. Limit characters, locations, and action - but give us a compelling story in 3 pages!
Sarah Cornelius is an Actor, Screenwriting Coach, and Executive at Whitewater Films. She made her screen debut in the acclaimed short film LEAVE YOU IN ME. Her vulnerably raw work in the film garnered her Best Actress Award wins at the NYC PictureStart Film Festival and LA's Show Off Your Short Film Festival. She's guest starred on numerous television series and recently appeared in a supporting role in the Lifetime TV movie DESPERATE WIDOWS. On the producing side, Whitewater Films recently released their latest film, SMALL ENGINE REPAIR with Jon Bernthal, which was produced by Rick Rosenthal and developed by Sarah.
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?
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