Why is it so difficult for directors who are looking for a musical score to say "thank you, but that is not what I am looking for", after you sent them a link or two together with a brief description of your work? I can see in my private statistics page that proposed tracks have been listened to through stage32 embeds. The least I expect is a little respect, but maybe the roads are paved with hungry composers...
1 person likes this
Have you ever gotten thousands of emails for something?