My advice? Go to a bar and talk to a woman you're remotely interested in getting to know. Be yourself. Record it though. The art of seduction is all subtext. No one comes out and says what they want in the beginning. They cloak in innuendo, double meaning, etc... Find that in your screenwriting dialog, that way of saying without saying the full thing. No one says, I'm done with this conversation. They say, I need some air.
Writing good dialogue has a lot to do with being a good listener. I also try to keep in mind a quote from BRIAN HELDGELAND. "Movie conversations are how we wish we talked."
Having recently moved to the South I'm always eavesdropping - restaurants and especially waiting rooms - doctors offices/garages etc. The colloquial way things are presented as well as said is mind-boggling. i.e "Be talkin' back at cha" . One I heard yesterday; guy was looking at another's cell phone of a picture of new girlfriend. "Shit, but she's got a pretty smile. You know that upkeeps gonna cost yah. Dental bills is far from cheap nowadays."
Hi Lamar, I found this invaluable and it helped tremendously with my screenplay writing: it's called 'writing dialogue for scripts' by Rib Davis. It's a must!
Make silent films! Seriously, if you have trouble with dialogue, keep it to a minimum - and work to your strengths. Not everyone can be Quentin Tarantino!
Yes, you and I can't get away with opening a film that has ten pages of dialogue. Less is more. If you can leave out a line of dialogue—do it. Allow the actors to "act." Live and breathe the characters while writing your script. It's almost like when you sit down you're channeling a force that we can't explain. You live and breathe every character in your screenplay. Also helps to take an acting class.
3 people like this
Listen to dialogue everywhere you go. Notice what people say and more important, what they do not say. Check out Writing Subtext by Linda Seger.
1 person likes this
Think about the last conversation you had and revise it. That's how I learned to write dialogue.
Does anyone have a quick example?
1 person likes this
What's good, Lamar! Also try reading all dialogue aloud. This technique also works well with description/direction/action.
4 people like this
My advice? Go to a bar and talk to a woman you're remotely interested in getting to know. Be yourself. Record it though. The art of seduction is all subtext. No one comes out and says what they want in the beginning. They cloak in innuendo, double meaning, etc... Find that in your screenwriting dialog, that way of saying without saying the full thing. No one says, I'm done with this conversation. They say, I need some air.
4 people like this
Writing good dialogue has a lot to do with being a good listener. I also try to keep in mind a quote from BRIAN HELDGELAND. "Movie conversations are how we wish we talked."
3 people like this
Writing good dialogue? Sit in a bar and listen in on other people's drunken stories... always good food for fodder.
Excellent Advice!! Thanks to everyone.
Having recently moved to the South I'm always eavesdropping - restaurants and especially waiting rooms - doctors offices/garages etc. The colloquial way things are presented as well as said is mind-boggling. i.e "Be talkin' back at cha" . One I heard yesterday; guy was looking at another's cell phone of a picture of new girlfriend. "Shit, but she's got a pretty smile. You know that upkeeps gonna cost yah. Dental bills is far from cheap nowadays."
1 person likes this
We have an excellent class (available for immediate download) all about how to write compelling dialogue from Jared Iacino, the VP of Film and TV Development at Panay Films! You can read more here: https://www.stage32.com/classes/How-to-Write-Compelling-and-Authentic-Di...
2 people like this
Hi Lamar, I found this invaluable and it helped tremendously with my screenplay writing: it's called 'writing dialogue for scripts' by Rib Davis. It's a must!
1 person likes this
Make silent films! Seriously, if you have trouble with dialogue, keep it to a minimum - and work to your strengths. Not everyone can be Quentin Tarantino!
1 person likes this
Yes, you and I can't get away with opening a film that has ten pages of dialogue. Less is more. If you can leave out a line of dialogue—do it. Allow the actors to "act." Live and breathe the characters while writing your script. It's almost like when you sit down you're channeling a force that we can't explain. You live and breathe every character in your screenplay. Also helps to take an acting class.