Screenwriting : So I'm lookin' at a logline… by Shawn Speake

Shawn Speake

So I'm lookin' at a logline…

Happy Sunday, hope all is well in your world! I wanna tighten up the logline for THE DEAD ONES… SPECIFIC PROTAG: A born again biker on one last meth deal with her gang, INCITING INCIDENT: winds up running from a shoot-out, and takes a family hostage OBJECTIVE: to hide in their home - STAKES: only for the bikers to find out they've captured cannibals. … How would you tighten up the INCTING INCIDENT and STAKES components? Thanks for your time! Have a great day, guys! Happy Memorial Day Weekend!

Kerry Douglas Dye

"Running from a shoot-out" strikes me as unnecessary detail. Also, frankly, I don't think the objective is necessary. The inciting incident and the fact that the HAVE to take hostages makes it clear they're dealing with a bad situation. Here's my version: When a born-again biker's last meth deal goes bad, she and her gang are forced to take a family hostage. Things go from bad to worse when they realize their captives are biker-hungry cannibals.

Debbie Croysdale

"Siren biker attempting final drug deal, ends up in gun battle, fleeing with hostages to a farmhouse. She unties one to cook, as water simmers the family silently plot, the meths lush is their road kill. "

Phil Parker

I like Kerry's attempt at your logline, Shawn... but can you make her a militant vegetarian as well? :-)

Debbie Croysdale

"Born again biker pulls last meths deal, but ends up in gun battle. Taking a family hostage to hideout in their ranch, she's unaware the freezers menu is pies with human organs"

Anthony Moore

I'd raise the stakes a bit. Have her and her best friend make a pack to get out after this last deal. Have the friend die in the shoot out, taking a bullet to save her. The cannibal thing is only gonna work if they have something unusual about them, like they are assassins, secret poison at will, or they seduce before eating. LOGLINE: A bikers last meth deal turns into a ride from hell when she unknowingly holds up with a gang of cannibals and shes on the menu.

Phillip E. Hardy, "The Real Deal"

What's a born again biker? A Christian or does she commit her soul to the Mongols? Anyway, here's what I came up with: Logline: "When a drug deal to stake her future goes bad; a reformed biker on the run bites off more than she can chew after her crew takes a family of cannibals as hostages."

Debbie Croysdale

I think Chris has a good point, in making reader strike an immediate empathy chord with female protagonist.

Debbie Croysdale

"Pregnant leader biker turns to God, before one last meths deal ends in war, with rival gang and cops in hot pursuit. Holding an Amish family hostage, the bikers face a more sinister foe inside the farm, these manic preachers eat the devil."

Shawn Speake

You guys are awesome! Thanks for taking the time to help me tighten up my catalogue. Happy Memorial Day!

Phillip E. Hardy, "The Real Deal"

Shawn: You have a good premise. It's got that Last House on the Left vibe.

Danny Manus

Anthony's logline I think is the strongest. Kerry's is great if you could combine it to 1 sentence. Everyone else's suggestions are not really loglines so I would not go in their directions.

Phillip E. Hardy, "The Real Deal"

I offered a cheeky logline but its a logline nonetheless.

Tony Cella

Logline: A biker's last meth deal goes wrong. When her crew takes a family hostage to hide in their home, they find out they've been taken prisoner by cannibals.

Rafael Pinero

I like Kerry's, hey Kerry you're good at loglines, Shawn, I like your method, separating inciting event and objective, etc... I never looked at it that way.

Shawn Speake

I thank you all. Here's Take 2: When a born-again biker's last meth deal goes bad, she and her gang take a family hostage only find out the captives are cannibals…. What say you?

Phillip E. Hardy, "The Real Deal"

Shawn: Me likey! Again, I think you have a good, high concept idea. That logline says it in 24 words, which is economical. The only thing you may want to ad is what happens next. Example: 1. When a born-again biker's last meth deal goes bad, she and her gang take a family hostage only find out the captives are cannibals and discover who's higher in the food chain. 2. When a born-again biker's last meth deal goes bad, she and her gang take a family hostage only find out the captives are cannibals and now face survival of the fittest.

Shawn Speake

Thanks for checking in, Phillip! I appreciate you! I feel what happens next is the subtext, doesn't need to be stated… What do you think about that?

Kerry Douglas Dye

I'm on the fence. On the one hand, your logline could just be "Bikers and Cannibals!" and I'd kind of get it. But I partially agree with Phillip that I want to hear "only to find out the captives are cannibals, and they're hungry for a biker smorgasbord" or something that hints at the festivities to come. I mean, just because they're cannibals doesn't mean they have a taste for bikers. Obviously I ASSUME they do, but part of me wants to hear it. Was that wishy-washy enough? I'll sum it up this way: I agree with Phillip, but don't think you're sunk if you stick with what you have.

Phillip E. Hardy, "The Real Deal"

Shawn: I'll give you an analogy: You go to the deli to order food. You want a good burger. You get a good burger. So now it's just a question on whether you want a pickle in the middle or French fries on the side. It's strictly a matter of taste. Personally, if I was looking at your logline, I would be inclined to read your script because the concept is there. This goes back to what David Trotter says in Screenwriter's Bible even crappy films have been sold because of a good high concept logline.

Phillip E. Hardy, "The Real Deal"

Kerry: Bikers look like pretty good eatin'. But I shouldn't joke about that. I'm only about 70 miles away from where the big gang shootout was last week. But I'll we'll say Texans enjoy their barbeque. And our cannibals don't have discriminating tastes.

Shawn Speake

Thank you, thank you! I'm on it…

Shawn Speake

Be careful down there, Phillip. That looks like a pretty intense area on the news!

Phillip E. Hardy, "The Real Deal"

Shawn: Thanks so much for the kind thoughts. I lived in LA most of my life, so I've seen plenty of crazy shit. Austin is worth any inconvenience. It's beautiful, I can be in the country in ten minutes, the music, activities and cool people are pretty great. And several cool film festivals too.

Debbie Croysdale

To @danny. Was throwing ideas into the mix, for others to form logline.

Leona McDermott

Does "born again" mean to convert to good? If so, they're starting out bad if they're doing drug deals, so is there any reason to care about them? But if someone is trying to go straight and a situation beyond their control prevents it, more sympathy and conflict can be created. Throwing my rough logline/synopsis into the hat. When a biker's is double-crossed on their final meth deal before going straight, they unwitting take a family of cannibals hostage and are forced to decide whether their best bet is to attempt to defeat their flesh-eating hosts, or seek an alliance with the murderous drug dealers they're evading.

Phil Parker

To Kerry's point - maybe you just need to say they're "starving cannibals"...?

Debbie Croysdale

Leona has a good point about the sympathy vote for bikers. If they only do bad s..., they probably deserve to be eaten. Trying to go straight gives them a humane element. We need to care about their fate.

Shawn Speake

I thought more people were aware that born-again means born-again Christian. I'll rethink that component. THE DEAD ONES is about bad guys vs bad guys - focused on maximum entertainment. In my storyworlds there are no traditional heroes. They're lost soul, anti-protags at best! That's my brand… but I'm still taking this in…

Kerry Douglas Dye

Nothing wrong with bad guys fighting bad guys in the horror genre. Though I hope you have built in at least one (or more) characters we'll like and feel affinity for. And, for the record, I wasn't certain the "born-again" referred specifically to born-again Christian as opposed to, like, "getting out of the biker game".

Vince Conside

A female biker, high-end provider for her gang, becomes born-again, tells her sisterhood she's quitting the M.C. She's pressured to make one more meth deal. The deal goes bad. Members are killed. She and the remaining bikers seek refuge, break into a home, taking a murderous, cannibalistic family hostage.

Shawn Speake

Oh, yeah, Kerry! I used hero techniques for CANDY, the born-again biker. THE DEAD ONES is available on demand on my profile. You're all welcome to read a page or two - tell me what you think. I'll return the favor!

Shawn Speake

TAKE 3: When a born-again biker's last meth deal goes bad, she and her gang take a family hostage only find out the captives are biker-hungry cannibals.

Shawn Speake

Simple fix. Take 4: When a biker's last meth deal goes bad, she and her gang take a family hostage only find out the captives are biker-hungry cannibals.

Shawn Speake

You guys be careful! "You keep being so good to me, I'm going to post more log lines!"

Shawn Speake

42 POSTS LATER: When a biker's last meth deal goes bad, her gang takes hostages - only to wind up dinner for the family of cannibals.

Shawn Speake

GOOD CALL, John! Can't thank u enough: When a biker's last meth deal goes bad, her gang takes hostages - only to wind up on the dinner table for the family of cannibals.

LindaAnn Loschiavo

When a biker's meth deal goes bad, her gang takes hostages -- cannibals! Can they escape before becoming supper? --- escaping from peril is the issue, right?

Kerry Douglas Dye

Since when is there a "no spoiler" rule for loglines?

Tony Cella

On the table doesn't imply each one of them is eaten, but it is a tad cliche. Keeping log-lines spoiler free adds intrigue and lures in producers. Focusing on the conflict and hinting at the means of resolution is most effective.

Vince Conside

SAMCRO meets Terminus or Texas Chainsaw

Catherine Darensbourg

A biker gang fleeing a meth-deal gone bad keep the cops waiting outside at bay when they take refuge and hostages -- in the home of a family of cannibals. How's that?

Shawn Speake

Thanks again for all of your help, guys! This has been a great thread… Here's what I'm rolling with for now: When a biker's last meth deal goes bad, her gang takes a family hostage only find out the captives are biker-hungry cannibals.

Anthony Cawood

Shawn, I don't think 'biker-hungry cannibals' scans very well and it's also the second use of biker in the logline... what about 'flesh-starved cannibals', or more simply, 'a ravenous cannibal clan'?

Phillip E. Hardy, "The Real Deal"

Shawn, I like this logline a lot. The only thing I think you need to do is replace the first biker with the word criminal or something like that. That way at Anthony's suggestion, you're only saying biker once.

Kerry Douglas Dye

Put that baby to bed already. Anthony and Phillip's suggestions are good ones, but I think your version is fine, Shawn.

Shawn Speake

That's what's up…. When a biker's last meth deal goes bad, her gang takes a family hostage only find out the captives are a ravenous cannibal clan.

Anthony Cawood

I'd watch it!

Jean-Pierre Chapoteau

I haven't read the previous loglines, but just saw the one posted above me, and oooooohhhh! I would WATCH THAT! I love the "clan" part, as if their grandparent's grandparents have been doing this for ages.

Shawn Speake

Gotta thank AC for... the ravenous cannibal clan! ... huge thanks to all of you. This has been a great thread. Anybody else need eyes on a logline?

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