This is actually a pretty basic question, and I theorize I've been doing things rather - for lack of a better word - inefficiently.
I'm currently writing a scene (for one of my own projects) that is essentially a heist-in-progress. Naturally, this involves cutting between different parts of the same location - following each of the thieve's actions as everything plays out.
At present, I'm using a new scene header each time we're in a different room, utilizing the "CONTINUOUS" tag on each one. All the while, I've had the funny feeling that I'm probably either doing this wrong, or there may be a much better way to more-efficiently handle this kind of cutting.
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Hey George! haha don't beat yourself up man, it's all a learning process. One other method you can utilize is the "INTERCUT". For example:
INT. BANK - DAY
The lights go out. A door blows open. The band of five storm the vicinity.
INTERCUT BETWEEN THIEVES
John Doe plants a bomb on the safe, flips a desk over, hides.
Jane Doe, shotgun in hand, instructs the hostages in the lobby.
JANE DOE
No sound. No one dies.
Cocks the gun.
Jacky Jack sits on a teller counter, licks his lips, eyeing a raised skirt of a bombshell of a hostage.
Jilly Jill in the IT Room, opens a bag, pulls out a device, powers up -- the computer screen blinks in and out, goes black.
and so on George. Hope this helps. Cheers!
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Awesome awesome! Thanks for the advice, everyone!
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Minislugs.
I do this badly. I tend to do some big print (action lines) to hint and shots.
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This is what I would do. May or may not be right though.
INT. HOUSE - DAY
HALL-
Rebecca stands looking up the staircase
LANDING -
A TIGER standing at the top of the staircase staring down at her
BATHROOM -
Roger sits on the toilet headphones on
HALL -
Rebecca dashing towards the kitchen as the TIGER leaps down the stairs after her
KITCHEN -
Rebecca hurtles through the kitchen as the tiger pursues her. Crashing through the kitchen and out through the back door, pulling the door closed just as the TIGER slams against it
The sound of the toilet flushing. The TIGER turns back into the room
LANDING -
Roger still with headphones on exits the bathroom onto the landing. He stares down.
ROGER POV - A large steaming TIGER TURD greets him