Wanted to open up questions about why I think the SAG Interim Agreement is the best thing to happen to the indie film industry in decades. Access financing, cast and distribution while the 2023 SAG strike keeps studios out of business. I have also published a step-by-step guide for film producers to qualify for the new SAG Interim Agreement. https://www.filmtvlaw.com/blog/2023/8/25/sag-interim-agreements-and-the-...
Producing : The Interim Agreement and the SAG Strike by Brandon Blake
The Interim Agreement and the SAG Strike
Other topics in Producing:
Check out Trending Discussions
Register / Log In
3 people like this
This is great, Brandon Blake - thank you for sharing.
I also recommend Michelle Alexandria's recent Stage 32 webinar on this exact subject. It's such an important topic. Here's a link so you can check it out: https://www.stage32.com/webinars/Understanding-the-SAG-AFTRA-Interim-App...
2 people like this
Great advice and insight, Brandon Blake. You said, "SAG’s strategy has already created a renaissance in independent film production. Why? Because all of a sudden independent filmmakers without access to studio financing can cast literally the best actors in the world." That's huge. I've heard indie filmmakers say in the past they've wanted big-name actors in their movies, but they couldn't because of funding/casting big-name actors would eat up too much of the budget.
3 people like this
Maurice, Thanks for following up. Sure, there is still going to be the cost issue, but access used to be the problem. Indie projects didn't even have access to top cast, regardless of cost, because the studios had commitments from them to other big projects. So that's why this time period is so unique for indie filmmakers.
2 people like this
Ok, I see, Brandon Blake. That makes sense. Looking forward to seeing some of my favorite big-name actors in indies.
3 people like this
Thanks Brandon Blake! I have 1 actor in mind but would need him to be in the USA. Started the fundraising process but only have small initial funds. Just enough to cover the actor at this point.
1) The film must have access to financing. The usual SAG bond and financial assurances are still required. YES
2) The film cannot be directly or indirectly financed by or have distribution through an AMPTP member company. SAG is requiring real independent productions. YES - completely indie.
3) The movie must be non-WGA. So, the writer of the literary property cannot be a WGA member. YES - non-WGA writers
4) The movie must be shot outside the United States. YES - in INDIA
Ok, here are my questions --
Should I still ask this actor (after getting Interim agreement) if they would be willing to film the "American" scene in India? (Although that drives up the budget, which is unfortunate by not outrageous)
Also does it have to be 100% filmed in India, can I still pick up B-Roll in America to set the scene?
3 people like this
Sasha, Thanks for following up. It has to be shot outside the US, and it sounds like your project is produced internationally. It's not about how it appears on screen. You are going to certainly increase the value of the film by including a name actor (of course I'm not sure who you are considering). Contact my office or DM me if you would like to discuss how we could help - Brandon Blake
2 people like this
Brandon Blake Thank you for your response.
2 people like this
Great guide for producers seeking interim qualification on your website. Thanks Brandon.