Now that I've got this great script that has won 19 awards so far, what's my next step towards production? I joined IMBD Pro, but noticed many of the producers and directors I feel would be perfect don't provide any contact information. And I keep getting "no unsolicited material accepted". So, how do I get my toe in the door? Any successful suggestions?
Screenwriting : What's Next? by Georgette Skolnick
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Hi, Georgette Skolnick. My biggest tip is to network/build relationships on Stage 32. That's how I've had success on here (script requests, sold four short scripts to a producer, collaborated on projects, paid jobs, etc.). Here are some blogs about networking: www.stage32.com/blog/tags/networking-41
And networking/building relationships is a way to get around the "no unsolicited material accepted."
You could search the Job Board for indie producers and directors who are looking to collaborate on projects (www.stage32.com/find-jobs). Collaborating with indie producers and directors is how I got my foot in the door back when I was an up-and-coming writer looking for jobs and credits.
You could also make your script yourself if you're interested in producing, either as a movie, audio drama, etc.
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Hey Georgette Skolnick what genre is your script and what is the logline? If you don't mind sharing :)
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Hi Georgette Skolnick! I highly suggest reaching out to success@stage32.com and they can help suggest some great tips!
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Thanks everyone for great advice.
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To Pat Alexander: the script with 19 awards is JUST ONE INCH, a historical drama based on the true story of my ancestors. My great grandfather was the scribe for Tsar Nicholas II. I think this script would be perfect for Spielberg. Another script, MURDER AT LAKE COMO is another major award-winner. It's a murder mystery. Both loglines are on the Stage 32 logline review site
You're welcome, Georgette Skolnick.
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The next step would be finding a manager, with a strong logline being key. And rather than telling them you won 19 awards, I would only mention, by name, the two of them which are generally recognized as having the most prestige in the industry. Historical scripts are always a tough sell, so seek out managers who might be open to scripts in that category. The fact that it's based on a true story may help, especially if there's also a published book on the topic to which you own the film rights. Also, you might circle back to some of those screenwriting contests you won and see if they can help you find a manager.
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Create a short film, as advertisement. If you feel that you are the wrong person to do this yourself, make friends with your local group of no-budget filmmakers.
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Staton, Finding a manager is easier said than done.