Hi Evelyn. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
Helpful information:
- To send invites to your fellow creatives, please click here.
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2 people like this
and I thought I was the odd one.. I agree with the editing and picture! fantastic, but the rest.. not so sure... I do like how unconventional everything is about it is...
3 people like this
Great to hear your new perspectives Debbie & Christian. Debbie - your analysis of the family & love dynamic within the crazy world is why we love movies, right? Common themes in big worlds. I totally...
Expand commentGreat to hear your new perspectives Debbie & Christian. Debbie - your analysis of the family & love dynamic within the crazy world is why we love movies, right? Common themes in big worlds. I totally get that. I was vocal on Stage 32 about not being a fan of EEAAO, but that's all art - some people it resonates with, some it doesn't. To me it felt, looked and story-paced like a student experimental film and to others it is a brilliant masterpiece. I respect everyone's opinions on it. I just don't know if we're going to really look back at EEAAO 20 years from now and say "wow, THAT was the movie that was the poster child to win best picture, director, original screenplay, lead actress, supporting actress, supporting actor and editing for the first time EVER in the history of the Oscars."
1 person likes this
@Amanda Hi yeah, totally get why you thought it "student experimental" and don't disagree. It often visualized "speed dial" and I was no fan of some action scenes being a tad 80's/90's kung fu comic s...
Expand comment@Amanda Hi yeah, totally get why you thought it "student experimental" and don't disagree. It often visualized "speed dial" and I was no fan of some action scenes being a tad 80's/90's kung fu comic strip trope. Also, world set up was intense and fragmented yet to me characters were the glue, hooked on lift scene where he puts up umbrella & gives her a puzzle to solve with "no time to explain." (Audience then may decide to follow the riddle.) At that stage if I did not care about the multi-generational family or their launderette I'd have switched off. With regards to how will film be defined in years down the line? Film came at right time for success in emerging metaverse age but was surprised to learn script was actually written in 2016, it's as though writers had foresight.
@Amanda@ALL I feel the film on different levels. It's part absurd, like living inside a kaleidoscope while it spins around yet there is some serious deep shit going on. I took away some "Psychology" from the film and without realizing applied it to my own life. Was in pub and someone asked me why I wasn't juggling as many things as I usually do. I replied, "Cos I'm no longer a bagel." There were unspoken lessons too. EG Protagonist feels whole world is their antagonist as in the tax conflict, yet protagonist never filled in the forms correctly in the first place.