I'm a screenwriter originally from Boston, a wicked cool place. My scripts have been Nicholl Fellowship Semi-Finalists and Austin Film Fest 2nd Rounders. They've been featured on the Scriptnotes and On The Page podcasts. I've pitched to Sony, Disney, DreamWorks and other companies. When not writing, I do graphic design and proofreading. And of course I never run with scissors.
The Pen is Mightier Budget: $0 - $100K | Horror A children’s author defeats writer's block through mystical means, only to discover that she now has the opposite affliction -- she can’t stop writing.
Canary in a Coal Mine Budget: $10M - $30M | Animation ⋄ Family When a young canary discovers the true purpose of canaries in a 1930s coal mine, he teams up with a boy miner to improve conditions for birds and boys alike.
Truth, Justice, and the American Way Budget: $30M+ | Drama ⋄ Biography The creators of Superman achieve the American dream, have it stolen, and fight like hell to get it back.
Reverse the Curse Budget: $30M+ | Comedy ⋄ Sports When a sportscaster who doesn't believe in baseball curses gets blamed for one, he sets out to prove that the curse is fake -- only to discover that the curse is real.
The Last Deal
Film
by Jonathan Salemi
Story Editor
Brief
Film (short)
by Brian Ochab (Comedy, Crime and Short)
Screenwriter/Producer/Poster Designer A drug drop between rival gangsters goes south when the case holding the cash becomes more important than the cash itself.
Claus v Hollywood
Podcast Series
by First Read Radio (Comedy, Family and Short)
Co-screenwriter/Poster Designer When Santa gets fed up with being portrayed as incompetent in Christmas films and TV specials, he teams up with a Jewish lawyer to sue Hollywood.
Nicholl Fellowship Semi-Finalist for Canary in a Coal Mine
Page Awards Quarter-Finalist for Reverse the Curse
Austin Film Festival Second Rounder for The Pen is Mightier
On The Page with Pilar Alessandra