Aaron Heinrich

Aaron Heinrich

Screenwriter and Voice Actor

Roseville, CA, USA

Member Since:
May 2024
Last online:
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About Aaron

I have been a published writer since I was 12. My first piece was an editorial I wrote while in middle school. Since then, I've had other editorials, bylined articles in print and online, and two books - one self-published, the other by a publishing company. I have an undergrad degree in broadcast journalism and an MFA in screenwriting from USC. I'm currently the head of marketing for the ABC affiliate in Sacramento, CA. I just recently got back into screenwriting and have been a quarterfinalist, semi-finalist and finalist with three different scripts in three different genres. Now, to find a manager to get my screenwriting career off the freakin' dime!

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Links

Loglines

  • Just for Kicks

    Just for Kicks Budget: $10M - $30M | Comedy A washed up NFL kicker decides to make a comeback by going against all odds and convention by following in his grandmother's footsteps as a Radio City Rockette.

  • The Killing Dream

    The Killing Dream Budget: $10M - $30M | Sci-fi In a future where deadly STDs have made sex illegal, a technophobic cop with an axe to grind has to find out who put a killer virus in the international virtual sex network before more people die.

  • Hellbound Train

    Hellbound Train Budget: $1M - $5M | Horror Thriller A newlywed couple find themselves mistakenly on a train that crashes over and over again with a satanic Conductor bent on keeping the train on schedule and the couple with him, forever.

  • St. Nick

    St. Nick Budget: $5M - $10M | Action St. Nicholas, the patron saint of children, returns to Earth intent on stopping child abusers and sex traffickers - no matter what it takes. He has six weeks to do it, and the city's biggest, most ruthless sex trafficker stands in his way.

  • The Way Things Are

    The Way Things Are Budget: $10M - $30M | Romance A young Mexican migrant worker and a German POW in a western Nebraska internment camp fall in love against the backdrop of WW2 and the prejudice and ignorance of the locals toward the Mexicans they don’t trust and the German prisoners they reluctantly need.

Awards

  • Berlin International Screenwriting Festival - official selection
    (2024)

  • Page Turner Feature and TV Pilot Genre competition - quarter finalist
    (2024)

  • Page Turner First 15 - semi finalist
    (2024)

  • Page Turner Log Line (3 separate entries) - Semifinalist and two Quarter finalist
    (2024)

  • San Francisco Indie Film Festival - Winner - Most Innovative Screenplay for Tribes
    (2024)

  • Emerging Screenwriters - quarterfinalist
    (2024)

  • Creative Screenwriting Unique Voices - quarter finalist
    (2024)

  • Oxford Script Awards - Best Sci-Fi script
    (2024)

  • Cambridge Script Festival - Finalist
    (2024)

  • International Horror Hotel Film Festival - selection
    (2024)

  • San Francisco Indie Film Festival - Outstanding Achievement Best Horror/Sci Fi for The Killing Dream
    (2024)

  • Chicago Script Awards - Official Selection
    (2024)

  • Red Fox International Film Festival - nominee
    (2024)

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