Chase Bartels's Lounge Discussions

Here is how I would answer you: Pretend you are someone with control over $50M (or $1M or $100K) and are considering giving that money to someone so they can make their film. Who would you be looking for as the recipient of your funds? What credentials or qualities and experience would you want to see?

There are a couple of sides to this IMHO. When I came up there were no film schools per se [not like what we have today], so I learned old-school by the seat of my pants - still am BTW. The general lack of skilled people allowed one to start at the bottom and work your way up. Unfortunately that's not the case any more. After a decade or so in the biz the schools started appearing and I found myself working in shops where there were cliques of "alumni" that were seriously playing into studio politics - you were either one of them or you didn't count. It's a tough business at the best of times and this certainly didn't help. Fast forward a few more decades and I'm teaching in one of the better film schools in the world. The upside is that students are exposed to a tremendous amount of info and hands-on experience that is difficult and time-consuming to get doing it the way I did it. The downside is that, from the schools POV, it's all about getting bums-in-the-seats and spitting out grads like popcorn. A lot can be said for the connections and learning you can get from attending a good school [emphasis on good], but the $ costs are extremely steep. The flip side is that the business is fragmenting and there will be a continuing move away from the old monolithic studio model to smaller more vertically targeted specialty shops. The cost of technology and delivery systems continue to evolve empowering more and more storytellers. But this comes with a cost - the easier you make something to do the more people there are who want to do it and basic supply and demand means there are more [people, product, etc.] vying for less [dollars and eyeballs]. IMHO when evaluating a school look at where it is situated relative to the companies you want to work for. Most of the better schools function as feeder institutions to industry, so if there are no industry connections you may end up with a nice piece of paper but not much further ahead than not doing it at all and being quite a bit poorer for the exercise. Alternatively there's the possibility you could attend a no-name school, produce an indie on graduation, post it on Youtube, get a gazillion hits and be in-demand. Such are the dynamics of things in this day and age. A bit long-winded but I hope this helps and I wish you all the best going forward.

Wow, thanks for the responses, everyone. I'll definitely keep all of your advice/feedback in mind as I think about this decision. Great advice to think about!! Many thanks!

Do both if you can buddy, if you want to be a producer you need to have connections, this business is all about being in the flow of traffic that is learned and has credentials, someone will always ask where you went to school. If you can quote a good name school and have a credit then you are off to a good start and better than just attended school no matter how good your grades are. Get something under your belt asap and don't stop there as it's a long journey. Yo will need to learn everything from casting to P&A so go for it onset with your cred accepted from school.

Most jobs in Hollywood require a college degree. It's a way they weed people out.