Two young men from different backgrounds find their destinies linked when they meet up in the world of illegal bare-knuckle fighting.
Two young men from different backgrounds find their destinies linked when they meet up in the world of illegal bare-knuckle fighting.
Commercial for Hotlink Red. Shot over 2 nights in Kuala Lumpur, Malaysia on Red Weapon Helium (8KS35) with Ultra Prime lenses. Director: Henry Ooi Cinematographer: Eric Oh, CSC, MYSC Producer: Amar Fhairuz Production Company: Playhouse Pictures
I haven’t been here in a while and recently was on here to update my profile. I’m a Director of Photography originally from Toronto, Canada but have been living in Asia for the last 7 years shooting mainly commercials.
Recently I moved to Barcelona, Spain and am settling in well. Love the vibrant cit...
Expand postI haven’t been here in a while and recently was on here to update my profile. I’m a Director of Photography originally from Toronto, Canada but have been living in Asia for the last 7 years shooting mainly commercials.
Recently I moved to Barcelona, Spain and am settling in well. Love the vibrant city! Don’t really know anyone here and am trying to meet and network with like-minded people. I have landed myself an agent but am also looking out for indie work. Hoping to get more narrative projects. Best wishes!
Commercial for HP's gaming laptop Omen. Shot in Shanghai, China with RED Weapon Helium using Cooke S4 lenses. Director: Ben Tseng | Cinematographer: Eric Oh | Producer: Temple Peng | Production Co.: Eagle Media
Commercial for Samsung's Galaxy Note 5 for Vietnam. Shot in Kuala Lumpur, Malaysia over 2 days using Red Epic Dragon and Cooke Mini S4/i lenses. Director: Henry Ooi | Cinematographer: Eric Oh | Steadicam Operator: Samuel Lam | Producer: Ira Carissa | Production Co.: Playhouse Pictures
Hotlink commercial that had minimal prep time, multiple locations, with lots of additional insert shots per location. Going for a "edgy" feel to appeal to millenials. It was a crazy, fun shoot. Shot entirely in Kuala Lumpur on a Red Epic Dragon with Cooke MiniS4/i lenses. For the final shot we used an Inspire 1 UAV. Director: Henry Ooi | Cinematographer: Eric Oh | Producer: Ira Carissa Shah | Production Company: Playhouse Pictures
Commercial for InterContinental Hotel Group (IHG). Shot in Kuala Lumpur, Malaysia for regional usage. Shot on RED Weapon CF Dragon with Cooke MiniS4/i lenses and Angenieux Óptimo 24-290mm zoom. Director: Chris Sisarich | Cinematographer: Eric Oh | Producer: Joel Boh & Kelvin Lee | Production Company: Frame by Frame | Support Production Company: Pegasus Film |
DP/Steadicam Operator on a Samsung commercial
Cool!
So I'm wondering something. Shot Reverse Shot is obviously used so commonly, but I've noticed that it mainly occurs when characters are facing each other. Would having two characters sat on a couch next to each other still work? Would it still give the same effect? Or would it look too jarring. Has...
Expand postSo I'm wondering something. Shot Reverse Shot is obviously used so commonly, but I've noticed that it mainly occurs when characters are facing each other. Would having two characters sat on a couch next to each other still work? Would it still give the same effect? Or would it look too jarring. Has anyone got any examples of this?
Cheers!
Joe
Andrew, no it doesn’t. Only shot that line is crossed in this situation is camera angle D.
Yes, angle D crossed the line. Seems a "crossing the 180˚ line warning" would be a nice easy addition to the software. So odd that so many people have trouble with this basic "rule".
Not crossing the line is something that keeps screen direction consistent so that the viewer will not lose their point of reference in that space. In this situation I think angle D will not confuse the viewer. It also comes down to how the scene is edited.
As cinematographers, what do you guys (and gals) think about the GoPro Hero 4 Black as a professional cinematography tool? I'm using it in my Phantom 2 (from DJI) on a Zenmuse H3-3D 3 axis gimbal and I love it. I shoot in ProTune (all flat) and do post in Premiere Pro CC. What are your thoughts abou...
Expand postAs cinematographers, what do you guys (and gals) think about the GoPro Hero 4 Black as a professional cinematography tool? I'm using it in my Phantom 2 (from DJI) on a Zenmuse H3-3D 3 axis gimbal and I love it. I shoot in ProTune (all flat) and do post in Premiere Pro CC. What are your thoughts about the camera? Have you use it professionally? Any tips?
@Eric Oh, for the distortion, have you tried remove it in post. Adobe Premiere Pro CC (latest version) does a fantastic job of it. I know you loose some resolution, but it works great.
@Lani, yeah, I'm loving my GoPro Hero 4 Black so far. And with the new version 2.0 firmware upgrade, I can now shoot 2.7K 60FPS, which is great when flying the Phantom 2! I have not tried the new 240FPS, but that is only 720p
@Marcelo, Ya I know there are many post fixes for barrel distortion. I own several Hero 3 Blacks myself but only use them in limited applications. At the end of the day it all depends on what medium y...
Expand comment@Marcelo, Ya I know there are many post fixes for barrel distortion. I own several Hero 3 Blacks myself but only use them in limited applications. At the end of the day it all depends on what medium you are using this footage on (web, broadcast, cinema). As cinematographers, its up to us to decide what's the best tool for a given situation, and GoPros have their place. I wold avoid usgin them in low-light situations though.
Ungraded frame grab from an action feature film I shot starring Dominic Purcell.
Hi Eric. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 325,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like mo...
Expand postHi Eric. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 325,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
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Thanks RB!
My pleasure, Eric!
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