Marinella Charlotte Van Ten Haarlen's Lounge Discussions

please feel free to contact us info@thekasaantimes.de . We love write about any project. Doing an own against Neo Nazis prior to the EU elections. #Shortfilm. So, we would be happy to publish your success. 

Check this: http://de.thekasaantimes.de/advertising-and-content-management-english-v...

Anybody know a good film publicist for a press release?

For advertising your #books , films or ideas in Germany we are helpful: http://www.marinellaswallpaperjournal.com/advertising-english-version-fo... or http://de.thekasaantimes.de/advertising-and-content-management-english-v......

Come and see my wall. I did films of demonstrations last year. About the Turkish Community in Germany, which was made Battlefield by Erdogan. I will proceed with my long term project and will return to writing and filming in Summer after the German elections. And I produced music for Syria and Aleppo. I will be off a few days, come back then. Best of luck to all of you.

I was silent the last 12 month, I was busy. We will load a film teaser for you (1.preview here made in Calais https://youtu.be/UlKRoOZjtvE) Best wishes for everyone The Human Wave (Documentation 2016/17 GB /GR/ZA/ GER) First Cut Part 1/6 (38 min) A Production by agatha film company ltd. A Marinella Charlotte van ten Haarlen Media & Motion Picture Company in cooperation with kasaan media publishers ltd., London , U.K., Cape Town Z.A. Over the past two years, we have been documenting in film the biggest human disaster since the end of World War II. The exodus of whole nations, on which social and political parasites also took advantage, doubtless. Tugs of the most elusive kind, who took over in the chaos in Greece and in the war to earn money for doubtful canals, like ISIL, etc. Tugs, economic debts, terrestrial groups of completely absurd clerical ideas were the mixture for the reality. It were no Muslims, but Islamists, we established whilst filming, who wanted the war for their own good. Muslims had little to do with the war. They had become a commodity for dictatorships, such as those of Mr. Erdogan, who was not clever enough to secure a coup, as an evil Footload driver to the solemnity. Erdogan and his servants were only able to interfere a while in their own kind of “Turkish delight”. Just in Aleppo, I stood behind in my own helplessness to the civil wars in these days. I only knew how to compose a Waltz, which had been published in June 2016. Thousands streamed “The Endless Syria Freedom Waltz". It did not change a thing. People died of poison gas, on barrel bombs, after all the sacred promises of the devastating wars of the 20th century. A modern apocalypse in dusty ruins. No, I could not. I did not want be silent, I did not want to say: I knew it, but did not mind. Every step for the inhabitants of Syria was important and right, no matter how helpless this one appeared at that moment. The situation in the camp "Jungle" in Calais / France scared us. An “inhabitant” informed us in mid-June 2015 that everything that happened in the camp would be a willing abuse of human rights. This was inconceivable, in accordance with the French constitution. Moreover, France has always been the land of human rights, at least in Europe. What we saw on the grounds in Calais made us stunned, speechless, tired of producing, because the human misery and misery of political deterrence were so prodigious. Also, what the locals thought about the refugees, in our interviews and in the streets of Calais and Paris. The Jungle was the political arithmetic of divided socialists in Paris, who opened doors and gates to fascism of the populists. Of course, the refugees kept trying to escape to England, and there were absurd moments that could not happen in a state like Europe. But it happened not once, not twice, every day. Meanwhile, the situation in Europe, especially in Germany, destabilized. Decades of hidden hatred spread, people turned openly to fascists. The dangerous thing was that it was not only spread by Nazis, of whom there were enough populists, but also by the left, which destabilized the middle, which had carried Germany since the war. Antifa and the Black Block allied themselves against the press, to hinder them in their work, with pyrotechnics and hatred against the democratic system. The social tensions throughout Europe broke out. Certainly, it were not the 3.000.000 refugees, Germany was used to this since a long time ago. But how to fight the populists? It seemed wanted in the Federal Republic of Germany by a man-contemptuous dictation of the so called Hartz 4 regime. Unemployment allowance for abusive modern slavery. People got sick and some died of the treatment, including dirty “Spitzels”, like Stasi or even worse in history. The perversion of democracy. There was a state in the state, which had nothing to do with a real state, but rather with the salvages of Erdogan. The henchmen of the Hartz 4 dictatorship did not differ from the salvages of Erdoganism. Pure fascism against any form of sacrifice. Germany broke down on the so proudly proclaimed Agenda 2010. In the end, Hartz 4 opened the new Nazis gates and doors. Maybe it was wanted. Seeked and desired. People were so helpless in the daily arbitration of human rights, that they were looking for a new leader, because they were too exhausted to fight for themselves. They were used to antidemocratic life by being frustrated throughout their life. Now the populists came to this people and their inhuman (just economic) doctrine found rich grounds with the so called " Abgehängten" Because I took the article 20, paragraph 4, of the holy constitution for the Federal Republic of Germany literally, I decided to accept the greatest disgrace of Germany as a reason for the actual disaster. "If no other remedy is possible, you should resist" Yes, I wanted to do this with this film, before fascism again produced millions of victims. The cruel apparatus of the Hartz 4 regime costed enough people their lifes. As early as 2011, at the beginning of the civil war in Syria, I wrote the novel Syria Ares, who reported about the breed of monsters in the chain of wars, of lost generations in the trenches. Whole battalions of torture slaves, of murderers, went on. The worst servant, a “Blooddog”, was the founder of IS, Baghdadi; I warned of him in 2013 in the novel “Gröpelingen Depot”. The best thing that could happen to the mass-murderer Baghdadi, was that the fate of Europe itself, was settled by political failures and misjudgments. The fear of the fear is his best argument, until now. What do you think of little Greece? In the Hellenic Republic a drama takes place on two fronts. Greece is the economic dwarf on which the banking world, which nourishes politics through lobbyists, drifts. We asked ourselves, how one can treat a country like this, the politics against Greece are the same like German Hartz 4 slavery. At some point corruption on the one hand, the cronyism of the 1990s, and poverty on the other hand were difficult to bear. Even for us. We do respect deeply the Greek people. In midst between the refugees, paying forever and after. Greece is famished, because Greece does not work according to the EU model. No, Greeks are Greeks, they can only be the Muse of Europe. But a Muse is important to Europe. This must be clear to any state, that Greece cannot produce high technology. And can adjust itself only in decades. But the Greeks are there, courageous, brave and ruined. A generation of traumatized people who take their destiny in their hands every day, daring social grants or receive medication, children, who begged us for a little money in Athens. Refugees were staggering through the streets of Alexandropoulis in direction of the bus station heading for Athens. None of us can say who was or will be a refugee. Europe is now held only by the cement of its ideas; the valuable foundation has been washed away by radicals, who, on the other hand, have ashamed generations, who were terrified in the trenches of Verdun and Flanders and the following wars. Then came the New Year's Eve in Cologne and Hamburg, where parasites of misery took over. This time passed to German women, because their cultural imagination did not extend beyond the edge of the knowledge brought with them from the Maghreb states. When I was producing in Malmo, Sweden, I became aware of the dimensions of disaster. Sweden's once most open city, which had become a core in which the citizens themselves feared each other. Before the strangers, before the Nazis, before the commoners, before the left. The hatred was far-reaching. I hate mutual hatred. End of Part 1

I am looking for film projects. I have funds. Organized and serious only!

If one needs a treatment, please contact me : http://www.stage32.com/profile/40343/projects

Please feel free to check the wide offer of books which have been published yet. Anytime feel free to contact me for questions Kind Regards to all of you Marinella

Hello- really enjoying networking on Stage 32! I specialize in turning dreams into reality- whether that's a TV series, short film, feature film, or anything else in between. There is nothing more exciting to me than bringing together a group of talented people and CREATING something- its the biggest thrill in the world! I currently have 3 TV series running in San Francisco. My production company has made 2 features and tons of shorts of all types. I also produce for hire, some of the work I'm most proud of was done with writer/director Julie Rubio and has international distribution. I work with a lot of students and I love to see them grow and learn in this industry and connecting them with people/projects that facilitate that. My biggest frustration is monetizing on things that we make- that's the hard & ugly part of our business, especially as an independent. The creative minds in the world should be able to create for a living, and I think the internet is offering a lot of opportunity for this. But unfortunately its usually "doberman on a water slide" and "baby sings a song" that make all the money, instead of indie filmmakers. But websites like this give me hope! Please feel free to send me network requests!

Hi out there! I shared quite a lot of Jobpostings. If you like, just drop in, parly in German. Some in English: http://www.stage32.com/profile/40343/projects Have a nice weekend!

Hi out there! I shared quite a lot of Jobpostings. If you like, just drop in, parly in German. Some in English: http://www.stage32.com/profile/40343/projects Have a nice weekend!

We are currently crowdfunding the film of the book. please producers, directors and crew members check : http://www.stage32.com/profile/40343/project/rosebeds-hangman%C2%B4s-wif... For suggestions we would be very pleased and please we concept this film for Human Rights. We don´t want to stay silent anymore, if people need our help. Kind regards

http://tinyurl.com/7nx87ej

http://youtu.be/haXlw8Fo9HI

http://youtu.be/EHJr1Y3WflI

Everybody is welcome to follow me on twitter: https://twitter.com/MaricharlotteHa

I've been blogging and teaching film production techniques from development to distribution for a number of years. I've worked on a lot of projects ranging from $10K indie student films to multimillion dollar gigs. I've always been helping and working for other people on their projects. I've worked from the beginning on some and i've been hired under non-disclosure to rescue others behind the scenes. One thing i've seen time and time again is a new or seasoned indie film maker with a good or even great script looking to shoot a $5M, $10M, even $20M project right out of the box. I watch them struggle and eventually fail. I only hope ( and your going to FLAME me for this ) is that they fail quickly. Why. Because NO ONE is going to give a first time filmmaker $20M to make a movie. And the sooner their "dream" is crushed, the better it is for them. Why do you ask? How come i'm such an evil bitch to wish this upon my fellow film Makers? Actually I pray to god they get to make their films and an angel comes in and give them the $20M... i'd be the first on their cheerleading team and the first to purchase the movie to watch. But in reality, the sooner they get over it, the sooner the film maker will start seeing reality and start making movies... Actual , real, movies. They can... YOU can. But first you need to put that $20M script away in a drawer or give it to an agent to push while you start working on your fist feature film that will cost you maybe $10,000 or $20,000 or even $50,000. A number you can actually raise from family, friends, your piggy bank and crowd funding. I've posted before about this and some people love it and some tell me to go "bugger off". Now worries, I'm pretty thick skinned.. you have to be to be in this business. Anyway, back to my point. So I've been talking about this for quite some time in person during lectures, and teaching, on the web and on a couple global webinars. Recently I was asked "Ms Hilton, have YOU ever made a $50K or under film yourself?" .... I paused and considered. "NO.. I have never made a small budget project of my own." I've helped others do it, but I haven't slogged thru the mud myself. and since I believe in putting my money where my mouth is... I'm going to make an under $50K feature film with friends, family, my piggy bank and crowd funding. AND, i'm doing it in public so you can follow the adventure and watch my team and I successfully create a solid micro-budget feature and make money on it , or you can watch the up coming train wreak and see me fail miserably. Either way you... and I, will learn something. So Please follow our project SUBCONSCIOUS on the following web sites. http://www.facebook.com/subconsciousthefilm and http://www.subconsciousfilm.com If nothing else you'll get a deep look into making a micro budget film that looks like you spent way way more on it!