DC Copeland's Reel

A 10-min AI scene from the script.

Nokosee Osceola is a Renaissance Man badass-- thanks to Kling AI Motion Control.

More than pleasantly surprised by the way Kling AI handled my prompt for an image I made years ago for the final part of the Nokosee trilogy. It instilled not just life, but love, too. As an aside, the cave was inspired by the cave beneath the Miccosukee Embassy in Miami.

Kling 2.6 Motion Control is muy cool. I used a Gene Kelly video for the algorithm to use as a guide for the dance and an image of my main character. It kept Kelly's great dancing and brought my static picture to life. In only a few minutes. Scary and amazing.

In the "Jitterbug!" screenplay the male lead quotes Langston Hughes and then replies: ("You are a child of night/Open wide your arms to life/Whirl in the wind of pain and strife/Face the wall with the dark closed gate/Beat with bare, brown fists/And wait." Brother Hughes wants us to be patient but I can't wait no more. I'm kickin down the gate. And you're comin with me... There's a better life on the other side and no one's gonna stop us from havin it.) The female lead responds: (I'm afraid....

For my detective comedy.

New "New Seminole" song for "Nokosee: Rise of the New Seminole" called EVA (Extravehicular Activity). It traces Nokosee and Stormy's journey over two screenplays ("Nokosee & Stormy: Love and Bullets").

Promoting the screenplay "Nokosee: Rise of the New Seminole" through a short music video.

Still having fun experimenting with AI. Kling 2.5 was able to show the back of the jacket when Nokosee spun (something I didn't ask for). I am happily surprised to see how it made the hair react to the spin. Oh, and aside from being able to kill you with his "leetle" finger, Nokosee is muy cool and can dance to any music.

Having fun experimenting with AI programs for a bigger Nokosee project.