Kevin Gamble's Reel

A little fun with some 1920s/30s era music, and this antique radio I have. I used a lot of this music on a Supernatural/True Crime documentary called Death Is With Me.

This is a weekly hour long show that I edit dialogue for, 5 episodes per week. Work includes dialogue editing & sweetening.

Layering in some lower register synth to fill out this frequency spectrum of music. I am using Native Instruments Ashlight, and modified the sound to my liking. Currently I am doing the sound design, and score for this feature true crime/supernatural documentary.

Working with this amazing plugin called Groth for this feature film and bending some frequencies to give it a more dramatic contrast with the cello. Underneath this, I also layered in some drones from a guitar string resonator called Sound Stone I recorded with a contact mic on the body of my electric guitar.

Promo related sound design work I've done so far this year.

Playing in the abstract opens many doors for creativity. This is for a film I am currently engaged with titled Death Is With Me, which is a true crime/supernatural feature.

Here is a little video I put together with some music I created that will be used on a true crime/supernatural documentary that will be released this year.

Greetings Stage 32. Here is the official trailer of The Guest List. My job was sound design, dialogue/narration editing, mix, and master to spec. This will pull at your heartstrings, and give you a deep look into how quickly life can change in 90 seconds. REELZ will be releasing this on February 20th of this year, so be on the look out of this one-of-a-kind documentary.

Mixing in some ambience, and emphasizing some hits with some low sub frequency hits for this amazing documentary. Filling the visuals with emotion using sound is something I love digging deep into. It is an experience for me, and I feel like I come out of a trance.

Hello Stage 32 community! I had to make a "sound design only" quick reel for a potential opportunity, but it was so much fun to work on these 2 films. I truly love the creative process of sound design. Horror comes naturally to me, because I've been watching horror for over 30 years. When VCR's first started entering more homes, my dad picked up a couple of movies on VHS at the local gas station, and one was A Nightmare on Elm Street, the other one was called The Slayer (1982). This film at...