It's a dead give away the film makers are new at the game when this is stated in their post because it's not the camera that makes a good film. If you have the talent as a Director / Cinematographer it will show no matter if you shoot on 16mm, Super-8, Regular 8, Betacam, VHS, Hi-8, 1/4 Video or RED.
1 person likes this
Boy! You got that right ... and I am clueless about cameras, but learned that the hard way. If one is good, you're good. Crap is still crap. Skill seems to jump off the screen at you, I've found. I must also confess it doesn't happen as often as I'd like.
1 person likes this
Thank you!!! I was told that once, so I thought "Wow, it must be a big deal." I mean, I'm an actor, I don't know about cameras. The entire production was very unorganized. Today's technology has gotten so easy to get a hold of, that now everyone is a "filmmaker".
I've been in many a film shot on the Red, as well as Canon 5D and 7D. The Red camera is pretty high maintenance, and it takes a longer time to move memory cards to the hard drive. (Don't get me starte...
Expand commentI've been in many a film shot on the Red, as well as Canon 5D and 7D. The Red camera is pretty high maintenance, and it takes a longer time to move memory cards to the hard drive. (Don't get me started on how long it takes for Post!) I think it's more about the DP and how good they are, rather than the camera, just as Peter has said. I've seen some crappy "Red" films and some pretty awesome 5D productions. Nothing wrong with the Red camera--it just has its own limitations too.
1 person likes this
Hello let's talk I produce,direct, act let's network
still like to work with you let's talk