Renee Farias's Lounge Discussions

Renee Farias
Photographer in Los Angeles

Hello Community,

My name is Renee and I am a full-time photographer based in Los Angeles. I have been a photographer since 1996. I fell in love with photography as a child, and after 8 years in the US Army as a combat medic, I ETS out and started my career as a photographer.

My work entails advertor...

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Egypt Reale

Nice work!

Renee Farias
Hi

Hello my name is Renee and I have been a full time photographer for about 21 years. I produce commercial work of all types and headshots. Feel free to DM and I will send you my portfolio websites ASAP. Thanks.

Renee Farias
Breaking the Bank

Not all Headshots are created equally. Headshots do not have to break the bank either. Check out: www.headshotprolosangeles.com today! :)

Renee Farias
Choosing a Headshot Photographer

Attention actors! Most of you understand how crucial a good headshot is. If you read my last blog post, I briefly discussed why they are so important. Your headshot needs to capture your type and natural essence, and must leave a lasting impression on a casting director or agent. The first step to g...

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Renee Farias
Pilot Season 2017

For those of you who are new to Hollywood, welcome! The 2017 pilot season is quickly approaching, and it is an exciting time to start your acting career. Television is taking over the entertainment world, thanks to Netflix, HBO Go, etc., which is why pilot season is so exciting for aspiring actors!...

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Patrick "pH" Hampton
DSRL Made for shooting moving images or still.

Some guy in another post said a DRSL are only ment for stills. But with Tech advances I would like to disagree. What do other people think?

Edwin Adrian Nieves

I agree, Patrick. Also, understanding the craft means comprehending the heart of filmmaking, which is to engage the audience. A Red One can do that and so can a DSLR. This means the focus is not on the equipment but the story and experience it brings out of the viewer.

Richard Trombly

It is a great opportunity for really low budget filming. But the unintended out of focus moments in cinematic movement with a DSLR are telling and so often the glass is not high enough quality and a zoom lens rather than a good set of primes.

Richard Trombly

Good point Edwin, but I was responding to the technical question. If we are going to that point , then I would take something shot on a iPhone and decent sound design and ADR over a nicely shot film w...

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Robin Chappell

Well, gee, I dunno. I know of at least five TV Series that are shot on DSLR's (particularly the 7D), and many an Indie Movie is shot on them. They're easier to handle and easier to Post with. I'm planning on shooting my Indie projects with one. Only the Big Features still shoot celluloid.

Richard Trombly

but as you say Simon, the cost difference of 15,000 USD or so is not a risk you might be willing to take in a feature budgeted at a few million USD. But it is dreadfully critical to the semi-pro. Depends upon the production and the intended distribution.

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