Elizabeth Elwell-Cook's Photos

shirt and tie detail - Gold Elvis.

Jacket detail

Replica 1950s Gold Elvis Tuxedo - winner of best costume at the Parkes Elvis Gathering 2012.

fitted shoe detail

Leonardo Da Vinci at his desk.

Boiled wool hosen and leather shoes - detail

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Surcote sleeve detail

The full cap and gown.

Doublet and shirt detail

Sleeve detail with aiguilettes

Leonardo da Vinci museum waxwork.

Livery jacket, sleeve detail

Livery jacket

Yellow Venetian front

High German

Middle-class Flemish, 16th Century

Tudor gown c.1538 front

Cavalier woman

15th Century cote and hood

Houppelande

Cavalier detail - hat, collar and cuffs.

Cavalier

15th Century jacket, hosen and acorn cap

Christina of Denmark

1490s Italian

1585 Elizabethan

Elizabethan pinked silk doublet, jerkin, and compass cloak.

German coif

The original Caravaggio painting

Caravaggio's Card Player, replica

Compass Cloak

Tudor Gown, c1538

"Bob"

Pieter Breughel doublet

1490s Venetian

1580s Kirtle and doublet - full outfit

1580s kirtle and chemise

1580s Doublet detail

1580s Doublet

13th Century Woman

Costumes in action: three drunkards

Costumes in Action: Prospero's cap and earpiece

Costumes in action: Miranda and Prospero

Costumes in Action: Iris and Ceres

Costumes in action: The Harpy

Costumes in action: Ferdinand jacket detail

Costumes in action: Ferdinand and Alonzo in their waistcoats.

Costumes in action: Caliban & Stefano

Costumes in action: Caliban and Stefano

Costumes in action: Caliban detail

Costumes in action: Caliban.

Costumes in action: Ariel

Antonio: Monogoggle detail

Costumes in action: Antonio and Prospero

Costumes in action. Trincula

Costumes in action. Bosun and Sebastian

Bosun detail in shirtsleeves.

Detail of Antonio's unusual cravat, and embroidered/sequinned taffeta waistcoat.

Prospero in his Ducal robes.

The "Reapers"

Juno. Roman symbology: a regal crown, the peackock, and a discus as a weapon.

Bernadette Galea as the goddess Juno. Beginning with Queen Alexandra as inspiration, meshed with original Roman images.

Lisa Hanssens as "The Hooping Girl" spirit. Influenced by images of Victorian trapeze artists.

Trincula's jacket from the back, with details of the fantasy dreadlock wig and miniature top-hat and goggles.

Emily Elise as Trincula, the jester. Again a patchwork theme, with a circus/ringmaster's influence.

"Hail many-coloured messenger..." The goddess Iris from the back.

Grace Rouvray as the messenger goddess, Iris. Pieced from a rainbow selection of chiffons in bias cut, and a leather corset.

Ariel in character. Dance skins.

Ceres, bodice detail, hair and makeup. Leaf pendant by Karl Cook - Von Ander & Cook Fine Jewellers

Ceres, back view.

Kylee Hartman as the earth mother goddess Ceres. Flowing silk chiffons with embroidery and wheat. Ref: Pre-Raphaelite

Detail of Miranda's corset back.

Patchwork corset in silks, jacquards and taffetas.

Detail of Miranda, skirt and corset back.

Miranda, released from her constraints and in love. Same corset, change of skirt.

Harpy detail.

Christopher Hawkins as The Harpy. Mechnical wings, leather trousers and some very unusual boots.

Detail of Ariel's makeup (artwork Sarah Iversen). Actor: Christopher Hawkins.

Hair, makeup and jewellery detail for the more constrained Miranda. Timer in silver and sappires lent by GreyKat Designs.

Bosun jacket detail. Leather jacket pieced from two jackets with rivets.

Bosun, detail.

Kylee Hartman as "The Bosun". Costume created from the actor's own collection.

Caliban detail without cloak. Ragged trews, leather apron of a slave, straps and "chains"

Caliban's cloak from the back. This was given to the actor to finish as a character exercise, as Caliban would have made it.

John Michael Burdon as Caliban, a ragged, fishy "junk heap". Eyepiece that keeps him slave to Prospero by changing world view.

Sebastian, back view.

Sebastian, showing details of jacket, purple velvet waistcoat and taffeta cravat, bowler hat, goggles, trousers and spats.

Mark Oughton as the thuggish-fop Sebastian. Cloak, peackock green embroidered taffeta jacket. Styled after Oscar Wilde.

Back view of Miranda's skirt, showing detail of ruffled "bustle" in embroidered and sequinned taffeta.

Lovers

Lana Kershaw plays Miranda at her most constrained. Corset and skirt are patched from "the fabrics left for them by Gonzalo".

View showing the short back and long front of this 18th Century style waistcoat.

Prospero, his staff and waistcoat. Dominic McDonald.

Prospero in his full mad scientist's regalia. Leather "surgeon's cap" and coat, and an 18th Century style workman's waistcoat.

Detail Mariners.

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Two "mariners". Airship crew for Steampunk purposes.

Richard HIlliar as the Alonso's son, love-interest Ferdinand. Referencing Han Solo ("Star Wars") and Kenneth Branagh's Benedick

Antonio from the back, showing the line of the coat tails and the sheen of the embroidered taffeta used.

Button down lapels, contacts, a top-hat and a light-up mono-goggle complete the look.

David Woodland as Antonio, brother to Prospero. A punked-up version of the fashions set by Beau Brummel in the 1820s.

Eugene Raggio as Alonso, King of Naples, in an 1820s-inpired jacquard coat and sash, with spats and turnback cuffs.

David Attrill as the King's advisor, Gonzalo. Interpreted as an old military man with a clockwork arm.