My nineteen-year editorial experience includes both long and short-form editing. For long-form, my experience includes eight narrative feature films, a CBS network dramatic series, documentaries for the Discovery and National Geographic cable channels, PBS, and an IMAX for National Geographic Films, awarded Best Editing at the Jackson Hole Wildlife Film Festival. For short-form, commercial ad campaigns for clients such as Salvation Army, LDS Church and Always Kids non-profit organization; and promotional videos for corporate clients, both for-profit and nonprofit. Collaborating with media creatives to help bring their ideas to life through the art and craft of editing is incredibly satisfying and what I love to do.
These Streets We Haunt
(
Film
Editor
Spirit Flute: Healing from the Heart
(
Film
Editor
Iconic Women of Country
(
Film
Editor
Hey Mother Earth
(
Film
Editor
StoryGive: Every Two Minutes
(
Film
Editorial department
Lyrical Cafe
(
Film
Editor
Quitting
(
Film
Editor
The Captives
(
Film
Editor
Father, Son and Holy Moses!
(
Film
Editor
Roar: Lions of the Kalahari
(
Film
Editor
K2: Surviving the Mountain
(
TV Movie
Editor
History's Mysteries
(
TV Series
Editorial department
A Christmas Tail
(
Film
Editor
The Long Road Home
(
Film
Editor
The X Files
(
Film
Visual effects
Just in Time
(
Film
Editor
Address Unknown
(
Film
Editor
Promised Land
(
TV Series
Editor
The Undercover Kid
(
Film
Editor
Coyote Summer
(
Film
Editorial department
Wish Upon a Star
(
TV Movie
Editorial department
The Paper Brigade
(
Video
Editorial department
Breaking Free
(
Film
Editorial department
Just Like Dad
(
TV Movie
Editorial department
Windrunner
(
Film
Editorial department
Seasons of the Heart
(
Film
Editor
Rigoletto
(
Video
Editor
The ButterCream Gang in Secret of Treasure Mountain
(
Video
Editorial department
The ButterCream Gang
(
Video
Editor
In Your Wildest Dreams
(
Film
Editorial department
Neon City
(
Film
Editorial department
Blind Sighted
Editor
Best Editing - Jackson Hole Film Festival
(2005)