Kirsty has worked extensively for the stage with multi-award winning Wellington theatre company The Bacchanals, appearing in 13 productions - a mix of both classic theatre and premiers of new New Zealand work. Other stage credits include playing Lady Macbeth (Wellington Summer Shakespeare), 'Gizza Hoon' (Pinwheel Dance Theatre), and Pop-up Globe's ten week repertory season of 'The Taming of the Shrew' and 'Richard III'. Kirsty's screen credits include 'Cowboy Bebop' (Netflix), 'Frontiersmen' (History Channel) and many short films including 'Copper', which has had seven international festival screenings. She speaks German and has directed a German language play and worked for the Goethe-Institut. Kirsty has also worked for Playmarket (New Zealand's theatrical licensing and development agency) and was dramaturg for the award-winning 'Paying For It: An Insider's Guide to the NZ Sex Industry'. Kirsty is a graduate of Victoria University of Wellington's Theatre and Film programmes and a proud member of Equity New Zealand. She is the current recipient of the Phoenix Belly Dance Scholarship.
Stay-At-Home Cat-Mom Budget: $100K - $1M | Comedy ⋄ Animation A neurotic woman unknowingly has psychedelics and what begins as a nightmarish trip into her troubled mind becomes the key to unlocking a mystery from her past with the help of her talking cat.
Cowboy Bebop
Television
by Midnight Radio / Netflix / Alex Garcia Lopez
Suicide Girl
Frontiersmen: The Men Who Built America
Television
by Steven David Entertainment / John Ealer / John Ea
Rebecca Boone
Shortland Street
Television
by South Pacific Pictures / Angela Bloomfield
Anna Roberts