I specialize in Visual FX, CG, 3D Stuff, Motion Graphics. I also host my own show on youtube were i show people how to do hem: http://www.youtube.com/watch?feature=player_detailpage&v=xGb5IL4pKcM...
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I specialize in Visual FX, CG, 3D Stuff, Motion Graphics. I also host my own show on youtube were i show people how to do hem: http://www.youtube.com/watch?feature=player_detailpage&v=xGb5IL4pKcM...
Expand postI specialize in Visual FX, CG, 3D Stuff, Motion Graphics. I also host my own show on youtube were i show people how to do hem: http://www.youtube.com/watch?feature=player_detailpage&v=xGb5IL4pKcM
Ya just another awesome VFX intro for our chanel! Hope you like it Now at facebook too!: https://www.facebook.com/pages/Film-Slate/259178837559978#
Working on my third script and suffering through a crippling case of dum-da-dum-dum writer's block. Never been this big of a problem for me in the past. What's more aggravating is that I'm really happy with the outline; it's the minutiae that's pinning me down. The characters just aren't speaking to...
Expand postWorking on my third script and suffering through a crippling case of dum-da-dum-dum writer's block. Never been this big of a problem for me in the past. What's more aggravating is that I'm really happy with the outline; it's the minutiae that's pinning me down. The characters just aren't speaking to me as they have in the past. HELP! (and thanks for letting me vent)
I like Sarah's suggestion. Another approach I take is to simply motor though it. Make the characters say just anything, even if they resist you. Make a plan to go back to it in a rewrite and get the dialog right. Often times I find that I don't have to fix it much.
I used to overthink things until I learned what works for me. I sit in the bathtub until I get a new idea. The longest I have had to wait was 47 minutes. I was very clean and got a totally new idea which saved the whole damn thing from going down the drain (pun lame but intended).
Try writing out of order. If you have other scenes that are clear to you (or more fun) from the outline, maybe that will inform where you're stuck.
Hey everyone! If you're a DSLR shooter I want to hear about your audio set up. Do you use a field recorder/lav combo or DSLR mounted shotgun microphone?
It really depends on what you're shooting. If you're doing run-n-gun, or really anything other than a film I would much rather use in-camera audio. It would be a waste of money to hire a sound guy for...
Expand commentIt really depends on what you're shooting. If you're doing run-n-gun, or really anything other than a film I would much rather use in-camera audio. It would be a waste of money to hire a sound guy for many projects. The Juicedlink makes a low-noise pre-amp which has a cleaner signal to noise than a Zoom H4n. Plus, you can just start editing right away and won't have to worry about syncing audio. Also, if you have many small clips, sometimes Plural Eyes doesn't respond correctly, even in the new version. At least that's been my experience with both Version 2 & 3. Check out the comparisons of many options out there: http://www.youtube.com/watch?v=KKVeBqhXMvM
I use my 550D with magic lantern and a rode video mic either on-camera or on a boom.
99p Low cost mic option for DSLR's with manual audio control - http://www.youtube.com/watch?v=LnxYXWjvJQU
Hi Asreris. I'm RB, co-founder and CEO of Stage 32. As an actor, screenwriter, and filmmaker, I know first-hand the challenges all creatives face finding work and attracting attention to their projects. That's why we created Stage 32. Since our launch in September of 2011, the community has grown to 90,000+ members strong spanning 180+ countries making Stage 32 the social network uniquely populated with the most creative people on Earth. This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members pay it forward an...
Expand postHi Asreris. I'm RB, co-founder and CEO of Stage 32. As an actor, screenwriter, and filmmaker, I know first-hand the challenges all creatives face finding work and attracting attention to their projects. That's why we created Stage 32. Since our launch in September of 2011, the community has grown to 90,000+ members strong spanning 180+ countries making Stage 32 the social network uniquely populated with the most creative people on Earth. This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members pay it forward and invite at least 5 fellow creatives and to spread the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. You can also invite fellow creatives through the site by using the "Send Stage 32 Invites..." button on the upper right side of your profile. The more creatives, the stronger the network. The stronger the network, the more opportunities. Thanks for joining the movement and for being a part of this most talented and inspiring community. PS - Please take a moment to like us on Facebook and follow us on Twitter at @Stage32online.
Hey Asreris, I'm the CTO and lead developer at Stage32.com. Please let me know if you have any questions or feedback about the site. I'd love to hear your comments!