The Stage 32 Videos: Tips

What To Do When You Experience Writer's Block_.mp4

Every writer hits moments where the words won’t come. But what you do next is what separates working writers from hobbyists. As Stage 32 CEO RB Botto says in this video: “I don’t really believe in writer’s block. What I believe is that the stress of the creative process allows you to paint yourself into a corner.” It’s not about being out of ideas — it’s about being creatively exhausted, burned out, or so deep in your head that you’ve lost perspective. One of the simplest habits you can build as a writer is knowing when to step away — go for a walk, watch a movie, read a script, or talk through your story with someone else. Refuel your creativity, and then come back with fresh eyes. Let’s discuss: How do you get yourself unstuck when the writing feels impossible? What are your go-to strategies for resetting your creative brain? And if you aren’t already following RB for more advice like this — I highly recommend it: @rbwalksintoabar

What Do You Mean By “Read The Trades”

If you’re serious about working in film or television—on any level—you need to be reading the trades every single day. That means Deadline, Variety, and The Hollywood Reporter at minimum. But there's also IndieWire and The Wrap! These outlets are where the industry announces what’s being made, who’s being hired, what trends are rising, where the money is moving, and how the business is evolving. You can’t position yourself or your project in a meaningful way without knowing the landscape. Reading the trades is one of the simplest daily habits you can build that will help you think and operate more like a professional. As RB Botto says in this video, there’s no excuse not to make this part of your daily routine if you want to be successful in this industry. Take 15 minutes every morning and scan the headlines. Know what’s happening. Know who’s making things happen. Watch the video and let us know—are you already reading the trades daily? If not, which outlet will you start with this week? Let’s discuss.

Crafting Powerful Instrumental Narratives in Record Time

Discussion Topic: In today’s fast-paced industry, creating impactful instrumental music quickly is essential for composers. In this discussion, we’ll explore techniques for composing immersive music under time constraints, while capturing themes of mystery, resilience, and legend without losing depth or emotional resonance. Topics include: Structuring Themes Efficiently: Tips on structuring your composition to convey a full narrative within a shorter creation timeline. Blending Genres for Impact: How to merge classical and cinematic elements to evoke strong imagery and emotions. Focusing on Key Instruments: Choosing the right instruments and arrangements to build mood with minimal layers. Capturing Essence Quickly: Methods to instantly connect with the listener and deliver a memorable experience. This discussion aims to provide practical approaches for composers who want to elevate their music in tight schedules. Feel free to share your own tips and experiences!

Screenwriting Basics vs Bullshit Rules

This week we look at some basic things you need to get right for a screenplay to make sense as a visual tool. We compare this to the bullshit many writers ar...

Top 7 Gym Equipment Exercises - Ep 11 - Tola Talks Texas

Today we're talking about the Top 7 Gym Equipment Exercises that anyone can do - and should be doing at their local gym or health club. Because when it comes...

TOP 5 tips of composer Gyuli Kambarova | HOW TO WRITE MUSIC FOR A…

Tip #1 How to find inspiration to write music? Tip #2 What equipment is used to make music? Tip #3 How to compose music? Tip #4 How feel the beats of your music? Tip #5 The secret technique of the movie composer

VID#7 - A Quick Clip...

One effective way to introduce your antagonist is to have them do something extraordinary, instead of standing around in say some long dialogue scene. But instead, something physical, something visceral, and something that will both captivate and intimidate the protagonist, and will make it so that both the protagonist and the audience will want to know more... ARTISAN JAMES
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