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Jason Mirch is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years of experience. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, Kenan Thompson, and Carol Kane. Mirch was the Head of feature and television development at Image Nation, a finance and production company based in Abu Dhabi, UAE. There, he supervised the Image Nation contributions in the development of Flight, The Help, The Best Exotic Marigold Hotel, Contagion, Careful What You Wish For, Ghost Rider 2, Midnight Sun, and 100 Foot Journey. Prior to his work at Image Nation, Mirch was Co-Head of Development at Zadan/Meron Productions (Chicago, Footloose, The Bucket List) where he was actively involved in developing a slate of feature film projects for New Line, Paramount, Summit Ent., and CBS/Paramount. He also developed and sold television projects and mini-series to CBS, NBC, Fox, ABC, and Lifetime. He has lectured on all areas of filmmaking, speaking on panels at the Producers Guild of America, the Harvard Screenwriting Group, American Film Market, University of Southern California Film School, as well as several international film festivals and markets. In addition, he has consulted brands, including Burberry and Creative Artists Agency, on the expansion of their operations into emerging markets in the Middle East and Asia. Mirch graduated Cum Laude from Chapman University’s School of Film and Television, where he received a B.F.A., in Film Production, with an emphasis in Writing and Directing. He was mentored by Academy Award Winning Writer/Director David S. Ward, in the spring of 2004, and is the winner of Chapman University Student Filmmaker Award, for Best Director for his film Ally. Full Bio »
Using the films Annihilation, Arrival, Avatar, Legion, and Mad Max: Fury Road as examples, we'll be discussing and describing visually original concepts.
Writing complex action set pieces and using scene description in world building can be difficult for a storyteller. Using examples from contemporary films, we will examine how the screenwriters effectively tackle this style.
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Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
We're back in the Writers Room this afternoon for The Breakdown Webcast with Matt Ember! Matt Ember is a writer/producer who has worked on over 20 feature films and television shows including THE CONNERS on ABC, THE WAR WITH GRANDPA with Robert Deniro, GET SMART with Steve Carell and Anne Hathaway and FAILURE TO LAUNCH with Matthew McConaghey and Sarah Jessica Parker and many more.
We’re back in the Writers’ Room for the Breakdown with Lauren Schuker Blum & Rebecca Angelo breaking down DUMB MONEY: THE GAMESTOP SAGA! This is a unique adaptation so join us as Lauren and Rebecca breakdown their script!
Nick Waters is a Producer and Writer with the horror film, MARGAUX for Paramount Pictures, a comedy with Chloe Grace Moretz and the horror feature SHELTER IN PLACE. Nick will discuss the 8-Sequence Act Structure for Features!
Flashbacks are not meant to be a storytelling crutch, but rather a tool used to reveal additional backstory or subvert the audiences expectation of a character or situation. We will examine Casablanca, The Usual Suspects & Casino Royale.
Great Characters should have Great Introductions. Join us as we breakdown how characters are introduced in features and TV scripts including Star Wars, Fargo, The Good Place, Mad Men, Pirates of the Caribbean, and Arrested Development.