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Remember that every line of dialogue matters, every image has a purpose, and there are no wasted bullets in the gun! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Exposition as Ammunition! Many writers struggle with how to get out critical information and backstory to the audience in an organic way. So during this webcast, we discuss how to get the audience the information they need without a lecture they don't want. During this webcast we'll discuss different ways of getting out information in a way that feels organic to the narrative and the characters. We examine some of the best - and worst - examples from film and television! Full Bio »
Remember that every line of dialogue matters, every image has a purpose, and there are no wasted bullets in the gun! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Exposition as Ammunition! Many writers struggle with how to get out critical information and backstory to the audience in an organic way. So during this webcast, we discuss how to get the audience the information they need without a lecture they don't want.
During this webcast we'll discuss different ways of getting out information in a way that feels organic to the narrative and the characters. We examine some of the best - and worst - examples from film and television!
The Breakdown
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"THIS WAS MASTERFUL! Wow. Learned a lot of things I needed to hear!" - Ricki L.
"This was my first time here in the room. It was great. Thank you!" - Becky B.
"Thanks, Jason. Great info." - Jill H.
"Thanks Jason! So glad I got to catch this on my drive home...It was fantastic!!" - Brooklynn F.
We’re back in the Writers’ Room for the Breakdown with Erin Conley. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Producer/Writer Erin Conley breaks down her second season episode of SHADOW AND BONE.
We're back in the Writers' Room for the Breakdown Webcast: Writing Ensembles! An ensemble film is different from most lone protagonist-driven movies because it has a lot of main protagonists (some who are depicted as supporting characters though) that have roughly the same amount of "screen time" and importance in the screenplay. During this webcast, we discuss the challenge of giving every character in your ensemble a human turn while placing them in the context of the narrative. We examine some of our favorite projects including PRINCESS BRIDE, PARENTHOOD, "BRIDGERTON", THE LORD OF THE RINGS, THE USUAL SUSPECTS, and more to see how the characters - and their goals - come together. We also discuss tips on how you can balance all of the characters in your ensemble piece while crafting compelling obstacles for them to overcome (either together or separately).
Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
Can you use long dialogue blocks effectively? Sure you can! We'll break down the rousing sales rally in THE WOLF OF WALL STREET, the chilling call in TAKEN, the desperate video message in "Breaking Bad", and the moving speech from HIDDEN FIGURES.
Using the films Annihilation, Arrival, Avatar, Legion, and Mad Max: Fury Road as examples, we'll be discussing and describing visually original concepts.
Director of Script Services Jason Mirch dissects scenes from some of our favorite films and TV series including Bad Times at the El Royal, "Game of Thrones", The Sting, The Sixth Sense, and more! During this webcast, Jason discusses how screenwriters craft compelling plot twists and how you can use the principles in your own writing. We will also discuss practical tips and ideas on how you can create a twist that is worthy of a, "Whoa!" instead of a "huh?"