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Brandon is a Producer, Executive, and Script Coordinator currently working on MARVEL’S HIT MONKEY, a Floyd County and Speck Gordon production for Hulu, 20th Animation, and Marvel Studios. Prior to HIT MONKEY, for nearly a decade, Brandon worked on the development teams at some of the industry's top production companies such as Sam Esmail's Esmail Corp (MR. ROBOT, HOMECOMING), Skybound Entertainment (THE WALKING DEAD), and Jason Cahill (THE SOPRANOS, THE RINGS OF POWER) where he developed original and IP-driven shows with Atomic Monster (M3GAN, MORTAL KOMBAT). He began his career working for Will Speck & Josh Gordon (BLADES OF GLORY, OFFICE CHRISTMAS PARTY) on the production of LYLE, LYLE, CROCODILE at Sony Pictures Entertainment. Before his work with Will Speck and & Josh Gordon, graduated from the American Film Institute with a Master of Fine Arts in Screenwriting. He continues development work finding great stories to bring to his massive network of executives. Full Bio »
We’re back in the Writers’ Room for the Breakdown with Brandon Gale (Producer/Script Coordinator). We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Brandon breaks down OCEAN'S ELEVEN.
We’re back in the Writers’ Room for the Breakdown with Brandon Gale (Producer/Script Coordinator). We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Brandon breaks down OCEAN'S ELEVEN.
The Breakdown
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We’re back in the Writers’ Room for the Breakdown with Michael Kaplan. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Michael breaks down their episode of FRASIER.
Everyone loves a good thrill! In this webcast we will break down what makes Horror, Thriller and other genre scripts so appealing - and why they continue to dominate box offices around the world.
In this breakdown webcast, Jason discusses how the process for writing animated features has evolved from Walt Disney's first animated feature Snow White and the Seven Dwarves to Pixar's most recent 3D animated releases. Jason discusses how writing for animation is similar to live action and where the process differs. Using scenes and scripts from Up, Wall-E, Bug's Life, "The Simpsons" and more as examples, Jason explains how to apply the principles of animation writing to your work.
We’re back in the Writers’ Room for the Breakdown with Lauren Schuker Blum & Rebecca Angelo breaking down DUMB MONEY: THE GAMESTOP SAGA! This is a unique adaptation so join us as Lauren and Rebecca breakdown their script!
We're back in the Writers Room this afternoon for The Breakdown Webcast with Tim Ogletree Tim Ogletree is a producer and screenwriter. Most recently, his original screenplay FANTASY FOOTBALL was acquired by Lebron James’ SpringHill Entertainment and produced alongside Nickelodeon and Genius Entertainment. Shot on a budget of $26M, Fantasy Football stars Marsai Martin, Kelly Rowland, and Omari Hardwick, and is currently streaming on Paramount+. Tim wrote the sci-fi action film DEAD ZONE for Automatic Entertainment, now streaming as a Tubi Original. Previous to that, he produced the award-winning independent rom-com BREAKING THEM UP, starring Kelen Coleman and Stephen Schneider, which received a domestic theatrical release and is now available on streaming. Tim and producing partner Bennett LeBarre were Executive Producers on the supernatural thriller BECOMING, starring Toby Kebbell and distributed by Gravitas Ventures. To kickstart his career, Tim produced his first feature film based on his original screenplay, zombie comedy THE WALKING DECEASED, directed by Scott Dow. Shot for a budget of $130,000, the independent movie was released theatrically nationwide grossing over $1.3M worldwide. The success of The Walking Deceased led to his inspirational family movie ROUND OF YOUR LIFE, starring Richard T Jones and Katie Leclerc, released theatrically in over 20 US cities, followed by releases in Australia, Asia, and Latin America across all platforms.
There's a fine line between introducing a writer to a new world or ruleset and spouting exposition. We’ll break down how writers created the fantasy world of “Game of Thrones”, the frigid winter of WIND RIVER, the digital dystopia of THE MATRIX, and the 1919 England of "Peaky Blinders".