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We're back in the Writers Room this afternoon for The Breakdown with Michael B. Kaplan. Michael B. Kaplan has worked as a TV writer and producer on a dozen different prime time shows for ABC, NBC, FOX and the CW, including stints on such seminal shows as “Roseanne” and “Frasier.” He created "I'm in the Band" on Disney XD and "Dog with a Blog" on Disney Channel, serving as showrunner for both. He has been nominated for four Emmy Awards, winning one, and received a BET Comedy Award for his work as a writer on “Girlfriends.” He is the author of the “Betty Bunny” series of children’s books. As a playwright, he is a member of EST/LA, Playground-LA, and The Group Rep Theatre. Full Bio »
We’re back in the Writers’ Room for the Breakdown with Michael Kaplan. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Michael breaks down their episode of FRASIER.
The Breakdown
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"Fabulous! Thank you so much for sharing your knowledge and experience today!" -Ingrid W.
"Thanks, Michael, Kay, and Emily. This was one of the best webinars I've attended. I learned a lot today." -MB S.
"Thank you! Learned a lot and enjoyed the whole presentation." -Patti T.
We’re back in the Writers’ Room for the Breakdown with Laurie Ashbourne. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Laurie Ashbourne breaks down an episode of True Detective: Night Country.
Flashbacks are not meant to be a storytelling crutch, but rather a tool used to reveal additional backstory or subvert the audiences expectation of a character or situation. We will examine Casablanca, The Usual Suspects & Casino Royale.
Show, don't tell! We take a look at how screenwriters use silence in the horror film A QUIET PLACE, the caper film THE DEPARTED, the action-drama DRIVE, and the adventure of LORD OF THE RINGS.
Remember that every line of dialogue matters, every image has a purpose, and there are no wasted bullets in the gun! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Exposition as Ammunition! Many writers struggle with how to get out critical information and backstory to the audience in an organic way. So during this webcast, we discuss how to get the audience the information they need without a lecture they don't want. During this webcast we'll discuss different ways of getting out information in a way that feels organic to the narrative and the characters. We examine some of the best - and worst - examples from film and television!
Dramedy is a compelling genre to write because many argue it best captures the realities of life. There are comedic moments in some of the most tragic of times and dramatic moments that give way to levity. During the webcast, we examine some of the most critically and commercially successful dramedies - including "FLEABAG", PARENTHOOD (1989), THE BIG SICK, and SILVER LININGS PLAYBOOK to understand why they work so well. We also discuss ways in which you can develop your characters and narratives so that your dramedy is as authentic as possible.
In this breakdown webcast, Jason discusses how the process for writing animated features has evolved from Walt Disney's first animated feature Snow White and the Seven Dwarves to Pixar's most recent 3D animated releases. Jason discusses how writing for animation is similar to live action and where the process differs. Using scenes and scripts from Up, Wall-E, Bug's Life, "The Simpsons" and more as examples, Jason explains how to apply the principles of animation writing to your work.