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Toph Eggers is a screenwriter and author with 15 years of experience as a working writer. He's had scripts optioned by Montecito Picture Company for Paramount Pictures. He is also the screenwriter of the Fox Searchlight project, "THE THREE NIGHT STAND". Full Bio »
Toph Eggers is a screenwriter and author with 15 years of experience as a working writer. He's had scripts optioned by Montecito Picture Company for Paramount Pictures. He is also the screenwriter of the Fox Searchlight project, "THE THREE NIGHT STAND".
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"Thank you. This was very informative. Toph is a great speaker."- Lisa P.
"Thank you so much Toph! Really inspired." -Sibusiso M.
"Thanks Toph! Great tips and advice." -Aimee L.
We take a look at how writers put together montages to explain complex plots in V for Vendetta, makeover a character in Crazy, Stupid Love, bring levity and character to the dark comedy of Groundhog Day, make working out interesting in Rocky, drive home a theme in The Godfather, and tell us an entire, moving prequel in Up.
Isn't it ironic? In this Breakdown Webcast we discuss Dramatic Irony - when the audience knows more information about the circumstances the characters find themselves in than the characters do themselves. There are actually several different types of "irony" in storytelling and we will be looking at most of them during this packed hour. We will pay special attention to Dramatic Irony which can be used for dramatic, comedic, suspenseful or tragic effect. During this webcast we'll discuss different ways of utilizing dramatic irony and how it effects the emotional connection we have with our characters and the heightened tension and stakes it creates.
If you hang a gun on the wall in the first act, it better go off. In this webast, we took a look at the "Chekhov's guns" in the Winchester of Shaun of the Dead, the rock hammer in Shawshank, the coins in In Bruge, and more!
We're back in the Writers Room for The Breakdown Webcast: Healthy Mindset Summer Series - Special Guest Professional Certified Coach & Therapist Sarah Brokaw on Being "Present" and Reframing This is the first in a Summer Series! You will learn from Sarah who, as a coach, works collaboratively with the client on expanding his/her awareness and clarifying his/her thoughts through the use of reframing language.
We’re back in the Writers’ Room for the Breakdown with Erin Conley. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Producer/Writer Erin Conley breaks down her second season episode of SHADOW AND BONE.
We will examine ways in which screenwriters tackle one of the most complex and difficult concepts in narrative storytelling, looking at projects like Edge of Tomorrow to discuss rules that are created, bent, and broken by writers.