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We're back in the Writers Room this afternoon for a special The Breakdown Webcast: Writing Adaptations with Special Guest, Writers' Room Member Stephen Potts! Stephen Potts is a screenwriter specializing in adaptations with one feature film produced (a Philip Pullman adaptation), four others optioned. Also author of children's adventure fiction (seven books published) and writer for stage and radio. Full Bio »
We're back in the Writers Room this afternoon for a special The Breakdown Webcast: Writing Adaptations with Special Guest, Writers' Room Member Stephen Potts!
Stephen Potts is a screenwriter specializing in adaptations with one feature film produced (a Philip Pullman adaptation), four others optioned. Also author of children's adventure fiction (seven books published) and writer for stage and radio.
The Breakdown
We're back in the Writers Room this afternoon for a special The Breakdown Webcast: Writing Adaptations with Special Guest, Writers' Room Member Stephen Potts!
Stephen Potts is a screenwriter specializing in adaptations with one feature film produced (a Philip Pullman adaptation), four others optioned. Also author of children's adventure fiction (seven books published) and writer for stage and radio.
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"Thanks, Stephen! Excellent presentation!" - Martha C.
"Thank you, Stephen! This was awesome." - Monica M.
"Excellent presentation!!" -Christopher L.
We're back in the Writers' Room for the Breakdown Webcast: The First 10 Pages! The first 10 pages - or the opening sequence of the script - is so important and a good "First 10" will establish the tone and genre, introduce the main character, clarify the world of the story and the status quo, indicate the theme, and above all set up the dramatic question. That is why we will be breaking down some of the most memorable scenes and sequences found with the first 10 pages of our favorite film and TV series. We will also explore 7 types of openings and how they can launch your narrative - without falling into the trap of...
We're back in the Writers Room this afternoon for a special Breakdown Webcast: "Well This is Awkward..."! We all know those incredibly cringeworthy scenes in film and television when moments between characters get very awkward. Whether played for Comedy or Drama, we will examine moments in film & TV when characters just can't seem to get out the right words.
Writing action isn't easy! It takes nuance and skill. We’ll break down the action on the page for the heavy-hitting JOHN WICK, the action-comedy THE NICE GUYS, and the slow-building action of HELL OR HIGH WATER.
In this Break Down we are seeing what it takes to build a world during the Breakdown Webcast: World Building! This comes as a request from several of our members who want to discuss how to build worlds in your writing...and pre-writing. World Building is one of most important tasks in writing - it lays the foundation for everything that occurs in your story. So how can you do it within your screenplay without feeling expository or over the top? We're going to talk about how to avoid common mistakes in World Building, key ways to get better at World Building, and even look at some examples of World Building from...
We're back in the Writers Room this afternoon for The Breakdown Webcast Thunder Levin. Thunder Levin is a feature film and television writer/director. He is probably best known as the creator of the pop culture phenomenon “Sharknado” series of TV movies for Syfy Channel. He has written and directed four feature films: “Mutant Vampire Zombies From The ‘Hood!”, an independent horror/comedy starring C. Thomas Howell; “American Warships” a military action film starring Mario Van Peebles & Carl Weathers for the Syfy Channel; “AE Apocalypse Earth”, a science fiction film starring Adrian Paul & Richard Grieco...
Isn't it ironic? In this Breakdown Webcast we discuss Dramatic Irony - when the audience knows more information about the circumstances the characters find themselves in than the characters do themselves. There are actually several different types of "irony" in storytelling and we will be looking at most of them during this packed hour. We will pay special attention to Dramatic Irony which can be used for dramatic, comedic, suspenseful or tragic effect. During this webcast we'll discuss different ways of utilizing dramatic irony and how it effects the emotional connection we have with our characters and the...
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