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We're back in the Writers Room this afternoon for The Breakdown with Will McCance. Will McCance is currently Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND for Netflix and the recent hit FINDING 'OHANA for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate. Will entered the entertainment industry as an Agent Trainee at United Talent Agency, supporting UTA in the Motion Picture Lit group, as well as in the Motion Picture Talent department. After UTA, he moved into development at Original Film's TV department, working on hit shows such as THE BOYS (Amazon) and PREACHER (AMC), as well as on SWAT (CBS) and HAPPY! (Syfy). Will has produced films such as the upcoming LOLA JAMES, starring Nicola Peltz and Oscar-Nominee Virginia Madsen, BERNARD AND HUEY, starring Jim Rash, David Koechner, and Mae Whitman, as well as Belarus's 2018 Oscar selection for Best Foreign Film, CRYSTAL SWAN, along with Vice. He is also a frequent guest lecturer at UCLA's school of Theater, Film, and Television. Full Bio »
We're back in the Writers Room this afternoon for The Breakdown with Will McCance.
Will McCance is currently Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND for Netflix and the recent hit FINDING 'OHANA for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate.
Will entered the entertainment industry as an Agent Trainee at United Talent Agency, supporting UTA in the Motion Picture Lit group, as well as in the Motion Picture Talent department.
After UTA, he moved into development at Original Film's TV department, working on hit shows such as THE BOYS (Amazon) and PREACHER (AMC), as well as on SWAT (CBS) and HAPPY! (Syfy).
Will has produced films such as the upcoming LOLA JAMES, starring Nicola Peltz and Oscar-Nominee Virginia Madsen, BERNARD AND HUEY, starring Jim Rash, David Koechner, and Mae Whitman, as well as Belarus's 2018 Oscar selection for Best Foreign Film, CRYSTAL SWAN, along with Vice.
He is also a frequent guest lecturer at UCLA's school of Theater, Film, and Television.
PRAISE FOR WILL'S LESSONS:
"Thanks, Will, for your insights and time! And thank you Kay!" -Martha C.
"Thank you, Will. Incredible. Just incredible." -Reenita H.
"That was fabulous. Thank you Will!" -Becky B.
"Thank you Will, fantastic Breakdown of Succession. Will be re-watching this webinar, then re-watching the pilot and reading the script. Thank you Kaye and Stage 32. Have a lovely week." -Lyndsay S.
The Breakdown
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"Thanks, Will, for your insights and time! And thank you Kay!" -Martha C.
"Thank you, Will. Incredible. Just incredible." -Reenita H.
"That was fabulous. Thank you Will!" -Becky B.
"Thank you Will, fantastic Breakdown of Succession. Will be re-watching this webinar, then re-watching the pilot and reading the script. Thank you Kaye and Stage 32. Have a lovely week." -Lyndsay S.
We’re back in the Writers’ Room for the Breakdown with Michael Kaplan. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Michael breaks down their episode of FRASIER.
As we enter the final month of 2021, it seems appropriate that we breakdown the final of the three acts. The Third Act can make or break your story. During this webcast we will use clips and scripts from your favorites to uncover what makes a 3rd Act work.
Special Guest Laurie Ashboure is hosting the Breakdown Webcast! Laurie has had a remarkable career. She spent eleven years at Disney working on films such as: The Little Mermaid, Beauty and the Beast, The Lion King, Mulan, Aladdin and more.
If you hang a gun on the wall in the first act, it better go off. In this webast, we took a look at the "Chekhov's guns" in the Winchester of Shaun of the Dead, the rock hammer in Shawshank, the coins in In Bruge, and more!
We're back in the Writers' Room for the first Breakdown Webcast of 2021! At some point we have heard a note that “your story feels flat" or "your second act is weak" or "this won’t sustain for 100 minutes." If that is the case, there is a good chance that you have an underdeveloped (or perhaps no) B-Stories or Subplots. That is why we will be breaking down story structure to find out exactly what B-Stories and a Subplots are, and how we can incorporate them into our writing. Using clips from INCEPTION, BACK TO THE FUTURE, and DIE HARD, we'll examine how the B-Stories and Subplots of these narratives help drive the second act and create a more impactful story. After the webcast, make sure to head on over to the Private Lounge to discuss your thoughts on the best B-Stories and Subplots.
We're back in the Writers' Room for the Breakdown Webcast: Tackling Tone. Tone is the most elusive element of screenwriting. Particularly because much of the tone of a project is conveyed by much more than just the script. Tone is really the culmination of every artistic and aesthetic choice made during the production process from the screenplay, the angles of the camera, the choices the actors make, cinematography, pacing of a scene, music, costume design, and more. During this webcast, we discuss how to capture tone on the page in ways that you are able to convey a vision that can be interpreted by the other artists who will come to work on the project. We examine some of our favorite films and television series to see how tone was captured on the page and then realized on the screen. We also discuss tips on how you can achieve balance and clarity in your tone.