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We’re back in the Writers’ Room for the Breakdown with Laurie Ashbourne. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Laurie breaks down the script of MULAN.
Laurie Ashbourne got her start in the industry with Walt Disney Studios, she is a writer-producer, artist, and script doctor with over 25 produced credits to her name and many in various stages of production right now, including a sitcom with Kenan Thompson, an animated feature with the director of MULAN, and an original story she wrote (10-31) was recently purchased and fast-tracked to production with acclaimed producers Eli Roth and Roger Birnbaum. A feature length Christmas comedy she wrote and produced is in post production for release in 2022. She also acts as a creative producer in the documentary space, with renown directors such as David Modigliani (RUNNING WITH BETO, 61 BULLETS, CRAWFORD) and Robert Greenwald (XANADU, STEAL THIS MOVIE) and his Brave New Films banner where she co-produced, SUPPRESSED - the fight to vote (2020), and RACIALLY CHARGED (2021), featuring two-time Oscar winner, Mahershala Ali.
The Breakdown
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We’re back in the Writers’ Room for the Breakdown with Lee Russell. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Lee breaks down the script of The Wonderful Story of Henry Sugar.
Writers can't rely on jump-scares and creepy music, so how do screenwriters create tension on the page? We'll take a look at needling suspense of THE BABADOOK, the tension just below the surface in GET OUT, the apocalyptic horror of “The Walking Dead”, and the creeps and chills of IT.
Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
Cursing in dialogue can have an impact on many things in your screenplay. We'll examine how swearing is used to reveal character, explore subtext, and drive a narrative forward.
During this hour-long webcast, Jason explores the uses of this technique to drive plot, reveal character and deliver exposition using some of our favorite films and television series including "Fleabag", Deadpool, Spaceballs, "House of Cards", Fight Club, The Big Short and more to find out how these projects break the fourth wall without throwing us out of the narrative. We discuss the how screenwriters weave this storytelling device into scripts and Jason gives you specific types of wall breaks to consider when writing as well as tips on how to write them!
If you hang a gun on the wall in the first act, it better go off. In this webast, we took a look at the "Chekhov's guns" in the Winchester of Shaun of the Dead, the rock hammer in Shawshank, the coins in In Bruge, and more!