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Antonio D'Intino is a Literary Manager at the production and management company Circle of Confusion, whose clients include writer/directors Keith Thomas (FIRESTARTER), Anthony Scott Burns (COME TRUE), and Iris Shim (UMMA). His clients' films have played at Cannes, Sundance, and SXSW, among others. Circle and their clients have worked on some of the biggest releases in film, television, and online including Oscar-winners and Nominees THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI, THE FLORIDA PROJECT, STRAIGHT OUTTA COMPTON, THE MATRIX, COCO, THE GRAND BUDAPEST HOTEL, FIRST MAN, MUDBOUND, and ROGUE ONE: A STAR WARS STORY. Circle is also known for their commercial hits including AQUAMAN, BLACK PANTHER, DOCTOR STRANGE, "The Walking Dead", THE BOOK OF ELI, "Alias Grace", THE SHALLOWS, "Sense8", V FOR VENDETTA, the JOHN WICK franchise, "Outcast", "Daredevil" and THE CONJURING Antonio previously worked in the Motion Picture Literary department at APA Talent & Literary Agency. He then moved to Plattform, a management company led by Jeremy Platt where he helped manage their first look deal with Amazon TV. Full Bio »
We're back in the Writers' Room for the Write Now Challenge Webcast with Antonio D'Intino, a Literary Manager at the production and management company Circle of Confusion, whose clients include writer/directors Keith Thomas (FIRESTARTER), Anthony Scott Burns (COME TRUE), and Iris Shim (UMMA). His clients' films have played at Cannes, Sundance, and SXSW, among others.
The Write Now Challenge
Antonio D'Intino is a Literary Manager at the production and management company Circle of Confusion, whose clients include writer/directors Keith Thomas (FIRESTARTER), Anthony Scott Burns (COME TRUE), and Iris Shim (UMMA). His clients' films have played at Cannes, Sundance, and SXSW, among others.
Circle and their clients have worked on some of the biggest releases in film, television, and online including Oscar-winners and Nominees THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI, THE FLORIDA PROJECT, STRAIGHT OUTTA COMPTON, THE MATRIX, COCO, THE GRAND BUDAPEST HOTEL, FIRST MAN, MUDBOUND, and ROGUE ONE: A STAR WARS STORY. Circle is also known for their commercial hits including AQUAMAN, BLACK PANTHER, DOCTOR STRANGE, "The Walking Dead", THE BOOK OF ELI, "Alias Grace", THE SHALLOWS, "Sense8", V FOR VENDETTA, the JOHN WICK franchise, "Outcast", "Daredevil" and THE CONJURING
Antonio previously worked in the Motion Picture Literary department at APA Talent & Literary Agency. He then moved to Plattform, a management company led by Jeremy Platt where he helped manage their first look deal with Amazon TV.
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"SUPER insightful! Thanks to Antonio, Amanda/Stage32 team, and participants' examples for a great session!" ~ Kevin P.
"Thank you Antonio, that was eye-opening and thank you Amanda!" ~ Chris d.
"Thank you! Awesome info today. Thanks for your transparency, Antonio." ~ Katie R.
When your characters each have their own voice, you should be able to tell them apart by their dialogue alone. We challenged you to write a scene removing all character names and descriptions so that each character is distinguishable by their dialogue alone.
In this challenge, members were asked to tell an entire story, in one page of script, using precisely four scenes. Far too many screenwriters waste pages. Good screenwriting is about making every single sentence count. There shouldn’t be any moment of a movie or television series which isn’t important on some level. The scenes can have dialogue - or no dialogue - depending on what you choose. What is important is that it has a beginning, middle, and an end. When you are done watching the webcast, head on over to the Private Lounge and discuss your favorite submissions!
A great story starts with great characters and every great character starts with a great introduction. We challenged you to create or rewrite a scene where a major character is introduced.
Write a 1-3 page scene that you will actually be able to shoot within the rest of 2022. Make sure it is producible for a reasonable budget. Limit characters, locations, and action - but give us a compelling story in 3 pages!
In this challenge, members were asked to pick their favorite antagonist or villain from film, television or literature and in - ONLY ONE PAGE - write a monologue from his or her point of view. The participants could frame this as an interrogation, a negotiation, a confession, or a conspiratorial conversation. Most importantly, writers has to make sure the scene had conflict, and the character's point of view in his or her voice. During the webcast we heard from some of our favorite protagonists, including Loki from the Marvel Universe, Terence Fletcher of Whiplash, Commodus from Gladiator, Jack Bynes of Meet...
We're back in the Writers' Room this afternoon for the Write Now Challenge Webcast: First Impressions. For this challenge, using the Breakdown Webcast: Character Introductions as your guide, rewrite at least 3 character introductions using the principles learned during the webcast.
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