Screenwriting : Love is Poison Logline Update. by Michael Keeling

Michael Keeling

Love is Poison Logline Update.

Hi All.

Here is my brand new logline for my Pilot Episode with help from a friend and I love it. What do you all think?

Logline:

When a young witch casts a love spell on her best friend and a handsome werewolf, things go horribly wrong. The only way she can make things right is to understand her friend’s complex family history – involving the reemergence of a corrupt witch assumed dead twenty years earlier, and a centuries old curse that forbids witches and werewolves from falling in love.

Kind Regards,

Michael

Wal Friman

A dangerous romance with a horror element?

A witch who’s casts a love spell between her friend and a werewolf must reverse it due to a century long curse.

Phillip E. Hardy, "The Real Deal"

1. This isn’t a logline; it’s a paragraph. And, at 62 words, twice as long as it requires.

2. I wouldn’t use generalized phrases like “things go horribly wrong."

3. I recommend one high concept sentence and merging all the most relevant info,

For example, try something like this:

A young witch seeks the guidance of a nefarious sorceress to reverse a spell she imposed on a charismatic werewolf with a greater goal of lifting an ancient curse forbidding the commingling of their species.

Badabing!

This logline is 33 words in one sentence.

I hope that helps.

Doug Nelson

Uncle Phil - I find your version better but still a little convoluted & confusing. First, remove 'out' (it's redundant). Who cast the spell - the witch or the sorceress? Why the adjectives 'young, nefarious or charismatic' in the log line - those would show up in the story and could well be the source of conflict.

Phillip E. Hardy, "The Real Deal"

Doug, my logline is merely a quick example. You're right, the word "out" can be removed. However, in general, I disagree with you about the ambiguity. I used nefarious rather than corrupt because I choose to employ colorful adjectives in my sentence to make them stand out. It's working well enough for me when I pitch my material. A witch and sorceress are essentially the same things. Other than that, I think the sentence is easily understood. Since the young witch is the primary subject of the sentence, the majority of readers will understand she is the one who cast the spell.

Erik A. Jacobson

Didn't know witches had any power over werewolves. It strains credulity.

Doug Nelson

Uncle Phil - my hang-up with using adjectives as character descriptions in the logline is that it already gives away the ability to develop those characters uniquely and fully within the context of the storyline. Hey, just my pov.

GJ Harvey

"When a young witch breaks a centuries old rule forbidding love between witches and werewolves, she must battle the wrathful ire of both to save the only love she will ever know." Or something...

Michael Keeling

Thank you all so much for the help, I wasn't expect this amount lol. And for what you're saying Erik, Witches have magical powers, where as normally through myths and such, werewolves are thought to be "Cursed" by witches, they're several different myths/ legends revolving around them both, that I just wanted to make mine different.

Phillip E. Hardy, "The Real Deal"

Doug: Your POV has my respect. It's pretty good lookin'.

Debbie Croysdale

Presuming the best friend is also a witch, (not clear.) “A novice witch casts a love spell on her best friend and a handsome werewolf without knowing the backstory of an ancient curse that forbids romance between animals and humans.” (Just off top of my head two cents.)

Michael Keeling

Dan MaxXx Haha, I don't know if that's a compliment or not lol! But thanks lol.

Michael Keeling

I just want to say thank you to everyone for all the help, for someone with learning disabilities it's hard for me to come up with ideas sometimes, that's why i always ask for help from friends or industry professionals.

Amanda Michel

I would shorten it.

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