Screenwriting : BLUE VELVET: "The dialogue is incredibly strange." My Sentiments Exactly.... which is why I adore it. by Bill Brock

Bill Brock

BLUE VELVET: "The dialogue is incredibly strange." My Sentiments Exactly.... which is why I adore it.

I recently revisited 1986's BLUE VELVET, an unspeakably bizarre film that gets locked in your head, then furiously pounds its way to get out.

https://youtu.be/251DlvLXzD4?si=xvT1qRhWFFP5a_Jg

Mark Giacomin

I am a Lynch fan. No arguments here. I thought 'Twin Peaks' (the 90s series) was a natural progression from 'Blue Velvet'.

Bill Brock

Mark Giacomin Agreed, Mark. Both complimented one another. It was as if Lumberton was the next town over from Twin Peaks. : )

Nick Waters

I need to watch this. Heard great things!

Mark Giacomin

Nick Waters Dennis Hopper is scarily malevolent.

Geoff Hall

Bill Brock I love Mark Kermode and his humility here really speaks to me. It wasn't that the film wasn't good enough, it was that he wasn't good enough for the film. I wonder how many critics could learn from this?

When we read a bad review of a great film, perhaps we should just think that for some reason, it got under their skin and leave it at that...

Debbie Croysdale

I need to see it again but first time round appreciated the bizarre twilight zone & characters drowning outside mainstream as a Noir fan. Off radar grotesqueness did not perturb me per sae & Hopper’s performance as a lunatic puppeteer is superb but abuse of female lead in uncut version I remember bordered on porn. At the time I felt anger as almost in denial she seemed passive in most scenes. I shouted “Fight back.” Friend answered yelling, “she was protecting the baby.” Yeah, I got that but felt the woman in jeopardy role could have had more twists. I suppose evoking these deep feelings make the film a masterpiece albeit some love it & some hate it. And some love some scenes but hate others!

David L. Sieving

David Lynch carved out a unique niche. He doesn't write stories, he writes lucid dreams that emerge one scene at a time from stories we don't initially perceive. A loosely-connected series of lucid visions without a dramatic structure of its own slowly reveals the underlying story, which doesn't fully emerge until the last scene. I wonder if he works by collecting the notes he takes between naps...

Eric McKeever

Just started rewatching it. It's so grotesque and beautiful at the same time. Huge Lynch fan. Love how he finds the underbelly in every community he invades.

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