Loglines & Screenplays by Scott Andrew Hutchins

Use the drag handle located on the right to drag the titles up and down to order your loglines.

For Guy Maddin

GENRES: Drama, Experimental, Independent

Silent, black and white/tinted film in which a young professor unfairly loses his job and experiences a Kafkaesque series of events.


Misused Minds: Curse of the Educated Youth

GENRES: Comedy, Drama, Experimental, Independent, Music, Other, Thriller

Visionary, hallucinatory, satirical work exploring the psyches of un- and underemployed college graduates, resulting in protest, musical performances, murder, and attempted suicide.


The Life of Timon of Athens

GENRES: Drama, Experimental, Independent

Shakespeare's tragic tale of a generous soul turned misanthropic when he is betrayed, presented with the original text in a quasi-modern fashion somewhere between Luhrmann and Taymor.


The Hollow People

GENRES: Adventure, Crime, Drama, Independent, Other

Short in which a young woman has resorted to bank robbery to keep paying the mortgage on the house she inherited from her parents. She takes an elderly black man hostage, and they develop a sort of Huck/Jim relationship.


The Sketch

GENRES: Adventure, Drama, Experimental, Family, Fantasy, Horror, Independent, Music

The child of opera singers sees a monster in his room. The father encourages him, while the mother forces him into a sleep clinic. The operas they perform comment on the action.


What Killed Bartók

GENRES: Drama, Experimental, Independent

A young man tells the story of the impact of his father's polycythemia, a disease shared by composer Béla Bartók, whose music is frequently invoked, on his family life. Based on a stage version, it is often presented in an abstract fashion, with chairs for cars, etc.


Dhyrak: A Dramatic Work for Three Players and Camera, Truncated

GENRES: Drama, Experimental, Fantasy, Other

Short homage to Samuel Beckett in which three characters are bound to a tree and tormented by a behind the camera figure known as Dhyrak.


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