Hi Belinda, Thank you for the invite. Cheers, Pierre.
Hi Belinda, Thank you for the invite. Cheers, Pierre.
Thanks for connecting on here, Sandor. Check out my work at http://www.randingraves.com & http://www.imdb.me/randingraves if you like. Cheers!...
Expand postThanks for connecting on here, Sandor. Check out my work at http://www.randingraves.com & http://www.imdb.me/randingraves if you like. Cheers!
Amazing!!! Blown away.
Thanks!
Congratulations.
Do you have a great idea for a movie? Of course you do! Now what? Enter your idea in the Hollywood Writers Contest. www.hollywood-writers-contest.com Have your story idea adapted by Pamela Jaye into a Hollywood screenplay plus win a trip to the home of a Hollywood legend - Tippi Hedren's Shambala. E...
Expand postDo you have a great idea for a movie? Of course you do! Now what? Enter your idea in the Hollywood Writers Contest. www.hollywood-writers-contest.com Have your story idea adapted by Pamela Jaye into a Hollywood screenplay plus win a trip to the home of a Hollywood legend - Tippi Hedren's Shambala. Entry Fee: Only one hundred dollars [$100], a percentage of which will be donated to Shambala's Roar Foundation. [To remain impartial, please do not submit any project we have previously discussed.] In conjunction with Paul Mason, Bruce Logan and Pamela Jaye Smith we are opening up a once-in-a-lifetime opportunity to have your story adapted into a blockbuster screenplay and pitched at the largest festival in the US, the Great American PitchFest. Free digital book on screenwriting with every entry. Register now. www.hollywood-writers-contest.com Closing date - April 30th, 2014. Good luck!
Thanks heaps!!
As a creator and producer of musical theatre, I'm interested in your views on what the industry needs to do to bring musical theatre to a younger more diverse audience? Or maybe you feel it's outdated and has been superseeded by other forms of media?
How to connect to a producer who could make my music show/theatre/stage-art happen on a stage somewhere? (That's my dream.) Anyone who know someone who would be interested?
Theatre needs to capitalize on its strength, which is its "live-ness." It is not merely TV or film plopped onto a stage.
Theatre will always be some kind of "Live" compared to TV or Film. But to stay interresting you need to develop it, reinvent maybe and to go for the likes of the targeted audience. Life changes and so does the interests with the new generations.
Hi Christian, Impressive line up of work on imbd, congratulations. Over on the other side of the world here but wishing you well. Try Active Artists (aam.com.au) also Aussie and LA based and Shanahan Management if you want dual representation in Australia, goes for anyone else seeking an agent. All the best!!
When I write the first draft of a script, I tend to include way too much detail in the narrative and show things that while they might look good on screen and contribute to the "action," take up valuable space. I do not go over-board with it but if something needs to be said, I say it, and do it in...
Expand postWhen I write the first draft of a script, I tend to include way too much detail in the narrative and show things that while they might look good on screen and contribute to the "action," take up valuable space. I do not go over-board with it but if something needs to be said, I say it, and do it in a way that readers can clearly, and consistently, understand and not have to guess what I mean. BUT, there's that infernal "less than 120 pages" restriction, which I understand the reason for and have no intention of bucking the system. Culled down however, the story becomes less clear and loses so much of the "color" and "flavor." I can't begin to count the scripts I've read where, frankly, I didn't have a clue as to what it might look like on screen! The question is: would a lengthy draft, which I'll polish until the final one reads like a weirdly formatted short story, ever be of value to someone later on in the process? The one I'm working on now is 139 pages, and counting.
Your comments and suggestions have been very helpful, but may I impose one more time? LOL! Here’s the way I left it – yesterday. INSERT - SERIES OF VARIOUS SCENES A mashup of video clips and sound bit...
Expand commentYour comments and suggestions have been very helpful, but may I impose one more time? LOL! Here’s the way I left it – yesterday. INSERT - SERIES OF VARIOUS SCENES A mashup of video clips and sound bites, including.... BUT, could I leave well enough alone? Hell no! I had to mess, and did when I realized I could use it to make a smoother, more logical and in a more dramatic way, transition that sets up the key/major-must-have plot point that immediately follows. Why not? I thought it was rather camp (ordinary) to begin with. Now, OVER those sound bites and video clips (and music, which I just thought of), which makes them secondary, I see her out jogging in the woods near her house, which she’s done before (which provides, in addition to how great she looks in loose fitting shorts and a tee, great visuals to boot – the path, little streams, rock formations, the lake in the BG), the dog, Big Nose, is with her, as always, the tension builds, she gathers speed, running faster and faster, as if desperately trying to escape her problems, only to have it conclude tragically, when…. What/how would/should the header read now, with all that going on in the BG, and say it in a way that won’t confuse the reader or require him or her to think of doing it that way on their own? The only thing that comes to mind is to add a short note, explaining it.
I hate to tell you this Bill but 120pp is considered very long for a script at the moment. I'm a vivid writer myself and even after getting scripts down to this length I've had many a HW reader commen...
Expand commentI hate to tell you this Bill but 120pp is considered very long for a script at the moment. I'm a vivid writer myself and even after getting scripts down to this length I've had many a HW reader comment on the high page count. You have to keep in mind you're writing for other creatives, so they really should be able to paint in the blanks themselves. Plus you have to accept that film making is a team process, every specialist brings their own element to the table. My advice is to put that talent you have for description into the feeling and tone of scenes rather than the raw detail of objects and sounds. Most of us don't need to be told what woods are like, but if it's a glorious yet tranquil day and your character is radiating confidence and beauty, that's important.
I often postit my logline to the screen and anything that is not that story gets flushed.
Nice to meet you. Working on screenplay Operation Nemesis: The Armenian Avengers. Film about Armenian Genocide revenge. Any tips for first time screenwriter.
Flesh out the story in around 5 pages. Divide the story into 8 parts when you are forming these 5 pages and form a bridge between each segment (make notes to yourself as you go). Limit your characters...
Expand commentFlesh out the story in around 5 pages. Divide the story into 8 parts when you are forming these 5 pages and form a bridge between each segment (make notes to yourself as you go). Limit your characters and determine how they interact to tell the story and grow as individuals. Plot will be a next step, ensuring that the dramatic storytelling is upheld in a clear and powerful way. Gothamwriters.com is a brilliant place to start with critical support and interaction if you feel like a classroom situation could assist your success. It is a great discipline for new writers.
Hi Belinda. I'm RB, co-founder and CEO of Stage 32. As an actor, screenwriter, and filmmaker, I know first-hand the challenges all creatives face finding work and attracting attention to their projects. That's why we created Stage 32. Since our launch in September of 2011, the community has grown to 75,000+ members strong spanning 180+ countries making Stage 32 the social network uniquely populated with the most creative people on Earth. This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members pay it forward an...
Expand postHi Belinda. I'm RB, co-founder and CEO of Stage 32. As an actor, screenwriter, and filmmaker, I know first-hand the challenges all creatives face finding work and attracting attention to their projects. That's why we created Stage 32. Since our launch in September of 2011, the community has grown to 75,000+ members strong spanning 180+ countries making Stage 32 the social network uniquely populated with the most creative people on Earth. This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members pay it forward and invite at least 5 fellow creatives and to spread the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. You can also invite fellow creatives through the site by using the "Send Stage 32 Invites..." button on the upper right side of your profile. The more creatives, the stronger the network. The stronger the network, the more opportunities. Thanks for joining the movement and for being a part of this most talented and inspiring community. PS - Please take a moment to like us on Facebook and follow us on Twitter at @Stage32online.
Hey Belinda, I'm the CTO and lead developer at Stage32.com. Please let me know if you have any questions or feedback about the site. I'd love to hear your comments!