Hello all - One of my close friends works on a lot of films and television shows with massive amounts of special/visual effects. Recently, he, I and another party worked on a spec commercial for a high-end Japanese Gin. My friend, having been working larger scale with virtual sets created by a tea...
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Hey, fellow screenwriters! When you've completed one script and you're about to start writing a new one, how do you decide what to write next? Do you look at what might be the next hot thing for the market?
Donnalyn Vojta Everything's been done before...just a matter of wrapping it in a blank new sheet by your match...now, to answer your question u gotta put yourself in a genre branch, then sub-branch, e...
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I keep a running list of ideas. I just write whatever item on the list peaks my interest at the time.
Donnalyn, I'm not really a follower of trends when it comes to me deciding what to write next. (And that's my tough luck!)
Me, I'm like Wally and Greg in that my next project is the one I'd want to go...
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Hello! Returning to Stage 32 after a year or so hiatus to see how everyone is doing and adapting in the current industry setting.
My team and I had our feature put on hold as the outbreak hit, and are just now working on recovery. My writing partner and I have a Pilot script that has done relativel...
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Amanda - thank you for this insightful post! Honestly ...have never even gone near the thinking of doing an animation due to the overwhelm of the cell process turned digital!
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I am currently at the beginning of a Virtual Production in a Volume. From the approaches and budgets, there are a few things that are very clear. At this time these are high budget productions with co...
Expand commentI am currently at the beginning of a Virtual Production in a Volume. From the approaches and budgets, there are a few things that are very clear. At this time these are high budget productions with costs amortized over a lot of shooting days and the complexity of the shoots. With the aims and intent of the productions, the costs are break-even over an extended period of shooting. The advantages of unchanging weather and consistent sun position being just a few time, and therefore money, savers. Shifting some of the post operations to actual production in Virtual Production does not seen to be much of a saving just a re-allocation of budget items. There are a LOT of people, gear and specialized techniques involved. So much so that at this point it might be out of reach for small one-off productions.
There are some future possibilities. As more environments become available as pre-built artwork in Unreal Engine, the costs using existent artwork should be a big savings over creating unique places assuming that the look works for a given production. Familiarity with the techniques will develop efficiencies across the board for, I believe, significant savings. As the number of Volumes to shoot in increases, rental costs for them might come down, although the build costs look pretty stable and are understandably very high for a Volume stage compared to a standard stage or location. The complication of a production also has an effect. If the volume is merely used as a backdrop or series of backdrops, then the cost of creating the locations in Unreal Engine and the support needed on stage can be significantly less. It is relatively new tech so it will take a while longer for costs to come down.