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Kay Ross is a producer, screenwriter, actor, and the Community Manager for Stage 32. Kay loves to help connect creatives to resources, upcoming opportunities, and other creative professionals through the Stage 32 platform. Full Bio »
We’re back in the Writers’ Room for the Breakdown with Kay Ross. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Kay breaks down TO ALL THE BOYS I'VE LOVED BEFORE.
We’re back in the Writers’ Room for the Breakdown with Kay Ross. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Kay breaks down TO ALL THE BOYS I'VE LOVED BEFORE.
The Breakdown
Kay Ross is a producer, screenwriter, actor, and the Community Manager for Stage 32. Kay loves to help connect creatives to resources, upcoming opportunities, and other creative professionals through the Stage 32 platform.
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In this breakdown webcast, Jason discusses how the process for writing animated features has evolved from Walt Disney's first animated feature Snow White and the Seven Dwarves to Pixar's most recent 3D animated releases. Jason discusses how writing for animation is similar to live action and where the process differs. Using scenes and scripts from Up, Wall-E, Bug's Life, "The Simpsons" and more as examples, Jason explains how to apply the principles of animation writing to your work.
As we enter the final month of 2021, it seems appropriate that we breakdown the final of the three acts. The Third Act can make or break your story. During this webcast we will use clips and scripts from your favorites to uncover what makes a 3rd Act work.
Show, don't tell! We take a look at how screenwriters use silence in the horror film A QUIET PLACE, the caper film THE DEPARTED, the action-drama DRIVE, and the adventure of LORD OF THE RINGS.
During this hour-long webcast, Jason explores the uses of this technique to drive plot, reveal character and deliver exposition using some of our favorite films and television series including "Fleabag", Deadpool, Spaceballs, "House of Cards", Fight Club, The Big Short and more to find out how these projects break the fourth wall without throwing us out of the narrative. We discuss the how screenwriters weave this storytelling device into scripts and Jason gives you specific types of wall breaks to consider when writing as well as tips on how to write them!
We're back in the Writers Room this afternoon for The Breakdown with Will McCance. Will McCance is currently Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND for Netflix and the recent hit FINDING 'OHANA for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate. Will entered the entertainment industry as an Agent Trainee at United Talent Agency, supporting UTA in the Motion Picture Lit group, as well as in the Motion Picture Talent...
We’re back in the Writers’ Room for the Breakdown with Lee Russell. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Lee breaks down the script of The Wonderful Story of Henry Sugar.
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