One of my biggest takeaways from Emma’s article is that distribution doesn’t begin when a film is finished. it begins the moment we start building an audience.
Over the next year, I want to build an audience that follows my work because they’re invested in the kinds of stories I tell, not just one individual project. My goal isn’t to chase viral moments or vanity metrics. I’d rather cultivate a community that enjoys thought-provoking, character-driven stories and wants to come back for each new project.
To work toward that, I’m committing to:
• Sharing authentic behind-the-scenes insights into my creative process.
• Creating short-form content that introduces my story worlds, characters, and themes before the finished films are released.
• Focusing on meaningful engagement—conversations, watch time, shares, and audience feedback, rather than simply growing follower counts.
• Building relationships through consistency, collaboration, and genuine interaction instead of treating social media as just another advertising platform.
Emma’s point that “the old proof of concept was a sizzle reel and a prayer. The new one has data behind it” really changed how I think about distribution. Audience engagement isn’t just marketing anymore. it’s evidence that a story is already connecting with people.
I’m curious how everyone else approaches this.
Are you building an audience around your projects, your personal brand as a filmmaker, or both? What has worked best for you?
2 people like this
Gurpreet Singh That's a smart evolution, letting people experience the world building alongside the story, not just the end result. Music and mood especially can say so much before a single frame is s...
Expand commentGurpreet Singh That's a smart evolution, letting people experience the world building alongside the story, not just the end result. Music and mood especially can say so much before a single frame is shot. When you get to that stage, I'd love to hear how you're thinking about the sound/tone side, that's very much where my head lives too.
1 person likes this
Krenda Alice Thank you! I couldn’t agree more. Sound and music shape how an audience feels before a story is fully realized, and that’s something I want to explore much more intentionally. I’m still b...
Expand commentKrenda Alice Thank you! I couldn’t agree more. Sound and music shape how an audience feels before a story is fully realized, and that’s something I want to explore much more intentionally. I’m still building that side of my creative process, so I’d genuinely enjoy exchanging ideas and learning from your perspective along the way.
2 people like this
Gurpreet Singh I'd genuinely enjoy that too. One thing I always come back to: sound doesn't have to wait for the finished film to start shaping how people feel about a story, even early teasers or moo...
Expand commentGurpreet Singh I'd genuinely enjoy that too. One thing I always come back to: sound doesn't have to wait for the finished film to start shaping how people feel about a story, even early teasers or mood pieces with the right music can tell people what a world feels like before they see a single scene. If it's ever helpful, happy to riff on tone/mood ideas together as your projects take shape.
2 people like this
Krenda Alice Sure !
1 person likes this
Gurpreet Singh I think the distinction between building an audience for one project and building an audience around the kind of stories you tell is especially important. A single film may have a limit...
Expand commentGurpreet Singh I think the distinction between building an audience for one project and building an audience around the kind of stories you tell is especially important. A single film may have a limited promotional window, but if people connect with your voice as a filmmaker, that relationship can carry into the next project.
I’m a filmmaker and screenwriter as well, and I’m trying to approach networking and audience-building as a long-term process rather than only promoting a finished film. The challenge, in my view, is making sure the content we share actually gives people a reason to care about the story and the filmmaker not just giving them constant promotional material.
I’d be interested to hear what kinds of behind-the-scenes or story-driven content have generated the most meaningful engagement for you.