I'm about to start a new screenplay that I've been brainstorming for a while, but I've seem to become a little indecisive about when the conflict should be introduced into the story. I don't mean the subplots, the B-story, I mean the main conflict that creates the story. In my previous screenplays, I usually introduce the conflict around pages 12-15, reason being is that this gives me time to introduce the main characters and set up the story. I've been told by many professionals that this is when the conflict should be, but I've also heard that you should get the conflict into the picture as soon as possible. When are your conflicts introduced and why is that when you choose to introduce them?
Screenwriting : Introducing the Conflict by Nate Killian
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I get in the conflict as early as possible,the reader needs to ask questions and want answers, (turn the page of your particular story) to be moved or excited into wanting to find out what is going to happen. You do not need to bludgeon in ......but make sure you sow the seeds of conflict, an uneasy feel between characters albeit conversation between them may still be polite. Know the Antagonist and Protagonist, and their conflict should unravel naturally.
I introduce the conflict when it feels right for the story and that varies with each one.
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You know that thread here about hooking the reader by page 10?
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good luck at rejection
Try to introduce it as soon as you can and tie your protagonist in with it. There are always exceptions (see Rocky) but general recommendation is start it off within the first few pages.
I agree with@Pierre @Dene. (It depends on the story). A conflict has to be constructed from the nature of the story and the particular characters own bag of personality traits. There are different types of conflict, Mental conflict eg. two estranged divorcees fighting each other for child custody. Physical conflict, ranging from attack by one protagonist to a whole army. Protagonists also may have conflicts with themselves eg Fighting addictions. The severity of which conflicts are introduced also varies, ranging from full on visceral attacks on protagonists being the opening scene, other films leave these type of scenes to nearer the end. Conflict should be foreshadowed if not made apparent early on, to pique curiosity of audience, this can be hinted at subtlety if the writer doesn't want to give too much information away at the beginning. Conflict should escalate, and tension heighten in a believable way for the particular characters involved. (Going back to my earlier answer) Constructing strong characters is key, so that when they face whatever the particular "threat" is, the audience care enough about them to follow their demise.
Make a decision and run with it.
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@Art. Great poster to illustrate your points about early introduction to conflict. Visceral and Organic Visuals.
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Act I = Set up. ActI = Conflict. Simples