Hi Mhamad. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
Helpful information:
- To send invites to your fellow creatives, please click here.
- For any questions on how to utilize the site, please check our HELP and GETTING STARTED sections.
- Also, I host a FREE webinar every month where I go over site features and answer user questions. You can view them here.
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When are we going to eat grandma?
When are we going to eat, grandma?
Sure, punctuation like Direct Address commas are unnecessary. While we're at it, leave all commas and periods out of a script then se...
Expand commentWhen are we going to eat grandma?
When are we going to eat, grandma?
Sure, punctuation like Direct Address commas are unnecessary. While we're at it, leave all commas and periods out of a script then send it into the world. No one will think the worse of your writing.
And look, no advertisement for services.
Pauline enters. She walks into the archive. She returns with an unused practice target. She exits. GUNSHOT.
I would deal with page count, & would drop 'enters'... lol
Pauline walks into the archive.
She...
Expand commentPauline enters. She walks into the archive. She returns with an unused practice target. She exits. GUNSHOT.
I would deal with page count, & would drop 'enters'... lol
Pauline walks into the archive.
She returns with an unused practice target.
She exits.
GUNSHOT.
the reason all have to be dealt with by the director so placement is important
or
Pauline walks into the archive.
She returns with an unused practice target.
She exits.
GUNSHOT.
if it's that important make it that important and give a line
lastly
Pauline walks into the archive with a fart to bless the air.
She returns with an unused practice target that's bigger than her body.
She exits in stress mode looking around.
GUNSHOT SFX
the director will tell you not to fart he will tell you to look for the car... make it small as you can but interesting
2 people like this
Dear friends, I apologize for creating a misunderstandment. Below comes the whole scene.
About the details. I use this location in 6 different scenes. So those details which are of no importance in th...
Expand commentDear friends, I apologize for creating a misunderstandment. Below comes the whole scene.
About the details. I use this location in 6 different scenes. So those details which are of no importance in this scene, they are instead relevant later.
INT. STAIRWELL - DAY
A shabby stairwell with a first-aid kit at the upper end of the stairs. A sign near the door reads "ARCHIVE."
Pauline enters, walks into the archive, returns with an unused practice target, and exits. GUNSHOT.
PAULINE (O.S.)
Quit messing with me! Attending a pride festival is totally legal!