I've never bothered to cut a reel but I'm now looking to spread my wings a bit more so here's three years of cinematic exploration.
I've never bothered to cut a reel but I'm now looking to spread my wings a bit more so here's three years of cinematic exploration.
Hello fellow filmmakers ...i would like your opinios on the best camera for shooting reality TV
Most reality shows use a ton of gear in different formats, from GoPro to handy cams to full ENG style cameras to cine-style rigged cameras, all for different applications. 8 to 10 cameras would be con...
Expand commentMost reality shows use a ton of gear in different formats, from GoPro to handy cams to full ENG style cameras to cine-style rigged cameras, all for different applications. 8 to 10 cameras would be considered simple coverage for most things. Certainly 3 at an absolute minimum, each assigned to certain people, spaces or anticipated events.
Then there are the wireless mics... dozens...
I am in the same boat as you. I was told that Netflix won't accept anything less than 4k. So, should we all be thinking 4K if we ever want to submit this type of work for consideration even if its not...
Expand commentI am in the same boat as you. I was told that Netflix won't accept anything less than 4k. So, should we all be thinking 4K if we ever want to submit this type of work for consideration even if its not Netflix? For the quick run-and-gun stuff, I was considering a JVC GY-HM170U Ultra 4K HD 4KCAM (approx. $1200) or a Panasonic HC-WXF991K 4K Ultra HD (approx. $900). Anyway...just some thought.
Different exhibitors have different Production and Post-Production requirements. Yes, Netflix is 4K. But not just any 4K. These are their requirements.
https://backlothelp.netflix.com/hc/en-us/article...
Expand commentDifferent exhibitors have different Production and Post-Production requirements. Yes, Netflix is 4K. But not just any 4K. These are their requirements.
https://backlothelp.netflix.com/hc/en-us/articles/217237077-Production-a...
The choice of what to shoot on for anyone else is quite simply one of two choices. Shoot the specific requirements asked for or shoot for the highest standard asked for and it will fit most of the lesser standards.
Of course its always best to start high and be able to downgrade from there. No argument from me.
I really like the Panasonic DVX 200
Trying to get more involved with the filmmaking community! I'm personally studying everything there is to know about filmmaking (along with trying to get my BS in Graphic Design and minoring in Photography), while attempting to make my mark in the filmmaking community as a cinematographer/ director of photography.
Welcome
Thanks for the appreciative comments. Glad to hear a common understanding
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Hey Franz, lovely work, keep going and also post in the job section of the site, you never know :)
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Excellent video showcasing conflict and or emotions in all scenes.... BRAVO
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Nice job!
Stan, glad to see you got the varying approaches to emotions :) Marjolein, I chose it to hopefully induce some of that improvisational, experimental vibe, glad you liked it. It also helps that its called "the final view" ;) Thanks for the comments everyone