How well do you follow the three act structure?
Streaming has become the norm so we are counting on film journalists even more nowadays to sort through "the glut" in order to give us the top 10 or so and lead us to the good ones. As for the "missin...
Expand commentStreaming has become the norm so we are counting on film journalists even more nowadays to sort through "the glut" in order to give us the top 10 or so and lead us to the good ones. As for the "missing data" they were talking about, I do hope that there would be more transparency and that everyone always gets their fair share.
We all miss the social experience of cinema so it's great to have cool alternatives like drive-in's or a private / home theater set up (a luxury, but worth spending on for some people).
Is there a link to this? Was it recorded? Sadly was traveling on production and missed this!
Just wanted to express my gratitude to RB Botto and staff for creating this platform. Much inspiration from here before our journey into independent filmmaking as well as during and continuing this adventure. "Heavy Vibes - The Vince Montana Retrospect" will debut at the Ft. Lauderdale International...
Expand postJust wanted to express my gratitude to RB Botto and staff for creating this platform. Much inspiration from here before our journey into independent filmmaking as well as during and continuing this adventure. "Heavy Vibes - The Vince Montana Retrospect" will debut at the Ft. Lauderdale International Film Festival this coming November! Be teachable, work, and look at your project in the lens of the long game because that's how this industry plays. Alberto.
Awesome story, kind of parallels mine journey, thank you for sharing!
February, 2021.Showcasing Vince Montana's legacy. Also, Grammy consideration? What do you think? Subscribe, follow us on Facebook, Instagram and website. T...
Brandon,do you have a reel of your animation to look at? Thank you.
One of the most outrageous stories of scoring vs. licensing was "2001- A Space Odyssey". Alex North was hired to score it, and did 40 minutes in two weeks! It's a tremendous score. Kubrick didn't use it of course, and created an iconic soundtrack of licensed classical and modern pre-recorded, orches...
Expand postOne of the most outrageous stories of scoring vs. licensing was "2001- A Space Odyssey". Alex North was hired to score it, and did 40 minutes in two weeks! It's a tremendous score. Kubrick didn't use it of course, and created an iconic soundtrack of licensed classical and modern pre-recorded, orchestral music (no synth!). MGM wanted North's score. North didn't know that Kubrick was not going to use his score, and found out AT the premiere, watching the film, that his music would not be used, and was rightfully devastated. The licensed score is probably the ultimate example of an iconic score. You cannot separate out "Also Sprach Zarathustra" or "The Blue Danube Waltz" from the film. As a composer, I do feel for North. He was a wonderful composer. I believe there are some DVDs and recordings if the original score if you want to compare. The moral of that story is: talk to your composer. They are human, too. PS: I assume North was paid for the score, in any event. Still, the ultimate bummer.
Man, didn't know Kubrick was that much of an a_ _.
My understanding is that Kubrick may have intended on using classical music from the beginning. MGM wanted an original score. Kubrick felt he couldn't tell anyone that he was going to use the tracks u...
Expand commentMy understanding is that Kubrick may have intended on using classical music from the beginning. MGM wanted an original score. Kubrick felt he couldn't tell anyone that he was going to use the tracks until the premiere. Because the premiere went very well, MGM backed off. This is second hand info, but it might suggest that if MGM had let Kubrick alone, it might have been avoided. In the end, not telling North, even privately, would have saved North incredible humiliation and embarrassment. Personally, I just got a track in a TV show. I announced it, and then watched the episode. I couldn't find the track anywhere. It might be there, way under the dialogue. I quietly stopped promoting it. I'll honestly have to wait until my royalty statement to know for sure. That's not the only time, either. Even when you have music in a production, it probably won't be a sexy as you think!
Very informative, thank you Ed!
enjoyed the videos, thank you for sharing!
You're welcome, Alberto...Feel free to share with your creative friends and colleagues.
Fellow artists, if you dont have a bio, please do not send me a connect request. Thank you.
Thank you for giving us a picture of keeping it going and keeping our spirits up!
Great read! Thank you for the motivation!
Love the article and insight, thanks @alcarretta and Stage32.
Just wanted to say hello to my fellow artists and producers, this platform is very useful for learning and also for collaborations.
Yes it is. I have met some great foljs.
Hey Alberto! So glad you are part of the community! I am the Director of Script Services at Stage 32. We have a lot of members in the South Florida area! Such a rich and vibrant area. Keep up the great work!
Hello, Stage 32 Folk. First, I have to tell you how much you inspire me. And, I'm really excited to share that my short film (I'm an actor/filmmaker) "Craving Greatness" finally found it's first festival home. Thanks Screaming Ostrich Film Fest out of Boston for the audience!
NICE! Congrats, Stephanie!
Hey Stephanie! Congratulations! That is awesome news. I am the Director of Script Services at Stage 32. If you ever want to discuss ideas for this project or others, feel free to send me an email at j.mirch@stage32.com
Hi Stephanie- Way to go on your accomplishments. I'm glad my thoughts and ideas I share on Stage 32 help you. Cool- Boston- I'm a jazz musician in Pittsburgh too- cool musicians from Berklee in Boston- peace- Ed Skirtich
Feb 2019 A sneak peek of the documentary film, "Heavy Vibes - The Vince Montana Retrospect", now in production, highlighting the influence and talent of Vinc...
Thank you for sharing and to the point. I will be reading "Hello, He Lied" and read "So You Want to Be a Producer" twice. We can never not have enough info!
Love it!
This is great, Alexia. Coming from ad land I can not only relate, I'm happy to see when someone else gets it too. I usually save the pro forma numbers and comps for a separate financial deck, but even that has to have visual and engaging impact.
Thank you Laurie!
Interesting perspective, Will definitely keep in mind when working on my scripts, thank you for sharing Alexia Melocchi .
Great article, Devin, thank you for sharing and persevering!
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If I don't, Syd Field will return and remove my reproductive organs.
I have seen films stop rather than end. Those "endings" that leave you totally unsatisfied and yelling WTF at the screen- hoping that your television just broke, because you know that no way in hell a...
Expand commentI have seen films stop rather than end. Those "endings" that leave you totally unsatisfied and yelling WTF at the screen- hoping that your television just broke, because you know that no way in hell are they stopping the film at that point- and yet they did.
But if you're asking about structure, Pulp Fiction has a beginning, middle and end- but they sure and the hell don't resemble any graph. And that's why we like it.
I use it for my features. I break the 2nd act up into two equal parts, so I end up with 4 acts. Essentially, Act 1, Act 2A, act 2B, and act 3. I use 4-5 acts for series scripts. Shorts vary for me. Usually 1-3 acts depending on the length and story.