I want to make sure everyone in this lounge knows about this upcoming lab!
https://www.stage32.com/education/c/education-labs?h=advanced-guide-to-f......
Expand post
I want to make sure everyone in this lounge knows about this upcoming lab!
https://www.stage32.com/education/c/education-labs?h=advanced-guide-to-f......
Expand postI want to make sure everyone in this lounge knows about this upcoming lab!
https://www.stage32.com/education/c/education-labs?h=advanced-guide-to-f...
Stage 32 is excited to welcome back Jeanette B. Milio! If you're considering producing your next (or first) project but are struggling to find the money or to understand the legal and financial steps that are necessary to take, this class is perfect for you.
Not only will you learn the entire film fi...
Expand postStage 32 is excited to welcome back Jeanette B. Milio! If you're considering producing your next (or first) project but are struggling to find the money or to understand the legal and financial steps that are necessary to take, this class is perfect for you.
Not only will you learn the entire film finance process and gain tips and strategies you can directly apply to your own project, you will also receive a variety of resources to help you on your way, PLUS work one-on-one with accomplished producer and financier Jeanette Milio, one of our most popular instructors!
Jeanette Milio has been involved in the production of 500 plus hours of content of film and television for over twenty-five years across three continents, pulling in a total production value of over $250 million with Academy Award® winning talent in front of and behind the camera. Throughout her career, Jeanette was involved in financing over 45 film and television projects for HBO, Showtime, ABC, USA Network, Disney, Lionsgate, Sony Pictures, Warner Bros., and others. Jeanette also managed a media fund for Far East National Bank, which funded 40 film and television projects, which led to her structuring her own media fund that financed theatrical features with a production volume of $60 million.
Jeanette’s decades working and finding success in the film industry has given her a unique and unrivaled perspective of how to finance film content and make a profit.
Along the way you'll be able to stay in touch with Jeanette via email throughout the course. Jeanette will even conclude the class with an invaluable practice business pitch workshop where everyone can pitch to the class as if they were pitching to a potential investor and get personalized notes and suggestions afterwards.
Email edu@stage32.com with any questions!
Sign up link: https://www.stage32.com/education/c/education-labs?h=advanced-guide-to-f...
You guys are too kind. Jack - happy to help you in any way :). Just email / message me direct.
We had six great sessions and today is our last day. We all spend a wonderful 6-weeks together, and I'm already planning the next level up class with Sydney :)
Thank you all for an amazing lab experience! Jeanette, your guidance over these past six weeks has been invaluable. I’ve just reached out to the group about the upcoming Level Two lab. If you're inter...
Expand commentThank you all for an amazing lab experience! Jeanette, your guidance over these past six weeks has been invaluable. I’ve just reached out to the group about the upcoming Level Two lab. If you're interested in continuing, please feel free to email me at edu@stage32.com!
And finally some good news about the UK Film Industry!
“The biggest change recently with regard to the UK being a destination for co-production has been the UK Global Screen Fund,” [MacTaggart] suggests. “That has made a real difference as it’s the first money in almost 25 years that the British syst...
Expand postAnd finally some good news about the UK Film Industry!
“The biggest change recently with regard to the UK being a destination for co-production has been the UK Global Screen Fund,” [MacTaggart] suggests. “That has made a real difference as it’s the first money in almost 25 years that the British system has had on offer to incoming co-productions.”
The number of minority UK co-productions has leapt up since this BFI-administered fund was launched three years ago. The fund has supported recent features such as Laszlo Nemes’ Orphan and Danish director Max Kestner’s Life And Other Problems, which opened CPH:DOX in March. The fund has limited resources but, says Perry, it has already “opened the eyes of people overseas to the fact Britain was much more welcoming and could offer something much more tangible to an incoming production”.
But it is the IFTC that is cutting through to international producers. Nicky Bentham, founder of Neon Films, with credits including The Duke, says her European colleagues are “beginning to notice the UK tax credit is really competitive”.
Are you working on a co-production with a European partner? Have you noticed a difference in the market yet?
https://www.screendaily.com/features/is-the-indie-tax-credit-finally-mak...?
Sam Sokolow me too, Sam. The demise of the UK Film industry started before the pandemic and I think it will take a while before we see the benefits and the evidence of a recovery. But at least we are...
Expand commentSam Sokolow me too, Sam. The demise of the UK Film industry started before the pandemic and I think it will take a while before we see the benefits and the evidence of a recovery. But at least we are moving in the right direction.
This is indeed good news. That said, the UK always had a very strong incentive in place, which is why a lot of content is being produced there. This expansion will increase the flow of productions to...
Expand commentThis is indeed good news. That said, the UK always had a very strong incentive in place, which is why a lot of content is being produced there. This expansion will increase the flow of productions to the UK, which I believe is something that works well for the UK and for Hollywood. I would, however, caution everyone considering shooting in the UK about the potentially higher production costs when shooting in the UK ( in comparison to shooting in the U.S.). I have shoot a number of projects in the UK and found that feasible budgeting can at times be challenging. This is obviously very project specific, and it also relates to the coproduction partner in the UK that you ( the US producer) would choose to work with when realizing a project in the UK. You will likely need to select a local UK producer to help you with obtaining / optimizing the incentive funds and also with realizing the physical production in the UK. On various of my projects, that I have produced there, I chose UK co-production partners to optimize the incentives and help manage costs effectively, to decrease costs wherever possible. These are my two cents and hopefully they can help a little.
If anyone is looking for professional UK production partners, feel free to reach out and I’m happy to provide you with some suggestions.
Jeanette B. Milio thanks for chipping in to the conversation. If you stay out of London and filmed say in Bristol, that would provide you with a cheaper option. Films@59 have great post-production ser...
Expand commentJeanette B. Milio thanks for chipping in to the conversation. If you stay out of London and filmed say in Bristol, that would provide you with a cheaper option. Films@59 have great post-production services and workstations. https://filmsat59.com/
And so it came to pass, that the IFTC Bill became law and was given Royal Assent, “just in the nick of time”.
I’m not sure who will receive greater help, UK Indie Producers or International Producers of High-End TV and Film, but the Tax Credit is set at 40%.
Please share your thoughts below.
https://ww...
Expand postAnd so it came to pass, that the IFTC Bill became law and was given Royal Assent, “just in the nick of time”.
I’m not sure who will receive greater help, UK Indie Producers or International Producers of High-End TV and Film, but the Tax Credit is set at 40%.
Please share your thoughts below.
https://www.screendaily.com/news/uk-indie-film-tax-credit-becomes-law-in...
We have shot in the UK and found their subsidies quite reliable and helpful. However, we worked with a local UK producer to maximize them to include as many line items possible. Looking into UK companies that have obtained subsides on recent film could be advantages.
The tax credit, combined with newly built studios, presents an opportunity for independent filmmakers.
Great knowledge and advice from Jack and Jeanette here.
If you are ready to get in the driver’s seat of your own career and make your own project, you will need financing. For many filmmakers this feels like such a daunting task but after this webinar you will have an understanding of all the key elements you must know to create a plan with confidence! T...
Expand postIf you are ready to get in the driver’s seat of your own career and make your own project, you will need financing. For many filmmakers this feels like such a daunting task but after this webinar you will have an understanding of all the key elements you must know to create a plan with confidence! To secure financing you will need the necessary tools, language and know-how. Equity is King – and finding and closing it is the key component to funding every project no matter what the budget!
This webinar will address 10 strategies regarding financing that most filmmakers do not know and will put you on your way to financing your film.
https://www.stage32.com/education/c/education-webinars?h=10-things-you-m...
Film financing can be a very complex. But there are some simple things to know that will move the needle for Producer and an investor. I’m truly excited about sharing some of these things with you in this upcoming webinar. I’m looking forward to meeting you all.
Thank you for the great questions today. Sorry, we didn't have enough time to answer them all. But, feel free to post your questions here, and I'd be happy to respond.
Some big news for Finland. Beautiful country with amazing filming locations: https://deadline.com/2023/11/ipr-vc-100-million-euro-film-tv-fund-hires-......
Expand postSome big news for Finland. Beautiful country with amazing filming locations: https://deadline.com/2023/11/ipr-vc-100-million-euro-film-tv-fund-hires-...
Amanda Toney I think Jeanette B. Milio's comment answered my question. "As an equity financier we are always looking to partner with compatible financiers in the lending space."...
Expand commentAmanda Toney I think Jeanette B. Milio's comment answered my question. "As an equity financier we are always looking to partner with compatible financiers in the lending space."
Congrats !
From their website:
"Strategic partners are companies and teams having an established position in global film and TV entertainment industry and successful commercial track re...
Expand commentFrom their website:
"Strategic partners are companies and teams having an established position in global film and TV entertainment industry and successful commercial track record.
IPR.VC offers the partners strategic capital – not one-off single-project financing. The financing provided by IPR.VC Funds helps the partners to reach their strategic goals, such as growth of their business. As the partners receive strategic value, they will enjoy their upside from the growth of their business. This also enables the Fund to target high returns of the investments. Working with strategic partners is an ongoing collaboration, which maintains the creative freedom and responsibility on the partner’s side."
This is actually something we have been looking into in places with a limited film tax credit. We're building a fund that would be a VC investment in innovative production companies / studios with a strategic plan because there are existing credits for VC investment where there aren't any for film.
A business plan for your project is important in order to sell it to buyers or raise funds with investors. Today, I'll be happy to answer any questions about putting together such a business plan. I'm a financier and producer of film and television content and have realized over 500 hours of content...
Expand postA business plan for your project is important in order to sell it to buyers or raise funds with investors. Today, I'll be happy to answer any questions about putting together such a business plan. I'm a financier and producer of film and television content and have realized over 500 hours of content to date, which is distributed through US studios, network and streamers, including Sony. Paramount, Lionsgate, Netflix, Amazon, Apple and others. My projects are distributed in over 80 countries world-wide, and I therefore focus on globally viable projects. Like many buyers and financiers, I look for strong creative elements, but also have to make sure the project is feasible. Both of these elements must be reflected in the pitch deck we get from content creators. Please feel free to ask me anything about the above.
@Martin - agreed. We all have to be creative and business savvy to produce something that makes sense creatively, professionally and can generate profits.
Jeanette B. Milio Thank you so much for the wonderful feedback, "subject to" you receiving our gratitude. :) :)
Great tips and information Jeanette B. Milio!
Dear Jeanette,
My pleasure to e-meet you, coming across your incredible profile!
I will briefly introduce myself cause I would love to set up a get-to-know meeting to talk more about some future projects which I believe they may be of common interest.
I am Joy Perpetual, Rome based, Business Developm...
Expand postDear Jeanette,
My pleasure to e-meet you, coming across your incredible profile!
I will briefly introduce myself cause I would love to set up a get-to-know meeting to talk more about some future projects which I believe they may be of common interest.
I am Joy Perpetual, Rome based, Business Development Manager at the boutique film production company Eliofilm (eliofilm.com) , which is in creative development of two DRAMA TV Series with Universal Themes and Glocal Outreach.
The first one is titled “KANUN” supported by Italian Ministry of Culture, selected by the MIDPOINT Institute 2022 and MIA Market 2023 at the DRAMA Pitching and Coproduction Forum, where it raised critical acclaim and amazing feedback on the international coproduction scale.
The second one is titled “THE CONFESSIONS OF A CAPITAL JUNKIE” from the biopic IPs written by the journalist Thomas Ebracht about the CEO of FIAT, Sergio Marchionne, supported by the Piedmount Development Funds and selected at MIA Market 2023.
To cut a long story short, it will be amazing to introduce to you the respective creators and producers, whenever you fancy.
Looking forward,
Best wishes
perpetualjoy.space
Stage 32 is excited to welcome Jeanette B. Milio for her upcoming lab.
In this exclusive and interactive Stage 32 6-part lab, you will work directly with an industry leader to create your business plan for your feature film that you can use to pitch to your investors. Your business plan will include...
Expand postStage 32 is excited to welcome Jeanette B. Milio for her upcoming lab.
In this exclusive and interactive Stage 32 6-part lab, you will work directly with an industry leader to create your business plan for your feature film that you can use to pitch to your investors. Your business plan will include everything your investors need to properly understand to decide to invest in your film, including the creative aspects of your project to the ideal distribution strategy, detailed financials, as well as risk mitigation and profit optimization strategies. Your business plan will also include various options for your investor to choose from, and it will offer different phases to invest in including the development phase, the physical production and the finishing costs.
PLUS! You’ll receive exclusive handouts to help you create your business plan. Downloads include:
-Financial Planning Tools
-Business Plan Example
-Adjustable Worldwide Distribution Revenue Projection Template
If you are looking to raise money for your feature film project with a budget under $5 million, this lab is a must!
https://www.stage32.com/classes/Stage-32-6-Part-Producing-Lab-Create-A-B...
Jeanette is amazing and such a generous educator. And the indie film market is booming. This is going to be a great lab. Thanks for sharing, Sydney S!
Thank you Sam. I’m excited about teaching this class. It’s not easy to navigate through the entertainment industry and it’s my absolute pleasure to provide some guidance on how to maneuver through this industry in a way that is efficient and successful. Can’t wait.
I was sad to miss the first class, but the recording was amazing, and I am so glad I signed up for this class!
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4 people like this
Fantastic! Great opportunity!
2 people like this
2 more cays until the lab begins!
2 people like this
Thaaaank you!