If you have a concept for a script and you would like to flesh it out a little bit outside your head, how would you go about putting it down/structuring it on paper?
If you have a concept for a script and you would like to flesh it out a little bit outside your head, how would you go about putting it down/structuring it on paper?
When writing a scene in a large interior place like a club, should I convey the specific areas (i.e. seating booth, bar, dance floor) as their own specific interiors? Would that make the scene easier to follow for a director?
Yes - be specific, I need to know the set up - how to light it and camera placement. Mt story vision may not be the same as tour's.
Thanks Dan Guardino, Doug Nelson, and M LaVoie, all of this is really helpful. I appreciate it.
Hey folks! This is the official Lounge post for our FREE webcast today at 11am(PT)/2pm(ET) with writers and producers from "THE UMBRELLA ACADEMY," "THE HANDMAID'S TALE," and "INSECURE" and "SEND HELP".
If you have not yet registered, what are you waiting for?! Click here: https://us02web.zoom.us/j/8...
Expand postHey folks! This is the official Lounge post for our FREE webcast today at 11am(PT)/2pm(ET) with writers and producers from "THE UMBRELLA ACADEMY," "THE HANDMAID'S TALE," and "INSECURE" and "SEND HELP".
If you have not yet registered, what are you waiting for?! Click here: https://us02web.zoom.us/j/85835047770
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Thank you to everyone for their time. We have a solid community.
Thank you all! This was so great. Jason and Jamie are always fun, can't wait to hangout with John and Nina whenever they come to the Writer's Room. This was so informational, I'm excited to let my random deepest weird out! haha
Fantastic webinar full of real world insights and all of the panel were inspiring. Thank you Jason! Good night all.
Hey everyone this is Matthew from Brooklyn, NY.
It was nice to know that two talented and successful writers like Nina and John were once cut from the jump off because I had experienced something simi...
Expand commentHey everyone this is Matthew from Brooklyn, NY.
It was nice to know that two talented and successful writers like Nina and John were once cut from the jump off because I had experienced something similar with my pilot script. Not in a "misery loves company" sort of way but in more of a reminder that "this is the business, this is the work." You just have to keep pushing through.
If you missed part 1 of this, check out the Writer's Room archives! It's in the vault!
My name is Matthew Hogan and I'm from/residing in Brooklyn, NY. I'm a novice screenwriter and have submitted a TV Pilot script for the Haydenfilms 1.0 Screenwriting Competition in August. I'm currently working on submitting for other festivals. I have also been lucky enough to participate in a frie...
Expand postMy name is Matthew Hogan and I'm from/residing in Brooklyn, NY. I'm a novice screenwriter and have submitted a TV Pilot script for the Haydenfilms 1.0 Screenwriting Competition in August. I'm currently working on submitting for other festivals. I have also been lucky enough to participate in a friend's short film with a small one line role. The film right now is in a slow but steady postproduction (thanks COVID), so I stay anticipated to see the end product. In the meantime I look forward to getting to know not just screenwriters but anybody here doing their thing and pushing through. What I hope for is maybe getting a few pointers towards my own process so one day I could be in the position to pass something along myself.
Matthew! Welcome to Stage 32. I’m the Director of Script Services. I’m glad we’re connected here and you’re always welcome to email me directly at j.mirch@stage32.com - let me know what you’re working...
Expand commentMatthew! Welcome to Stage 32. I’m the Director of Script Services. I’m glad we’re connected here and you’re always welcome to email me directly at j.mirch@stage32.com - let me know what you’re working on and I’ll do what I can to help.
Hey, Matthew. How's it going?
Good luck with the screenwriting submissions and welcome to Stage 32!
Thanks everybody
You're welcome, Matthew.
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That's great advice, Robert ("My opinion is that you must discover and develop an approach that is unique to you and aligns with what you’re most comfortable with").
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Thank you everybody who took the time to help me out. I appreciate your thoughtful responses. I think Im going to start out with a basic pitch for myself and see where I can go from there.
You're welcome, Matthew.
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HI Matthew! Great question. I always get started with my characters. I know everything about them, how they relate to the world, their motivations, their quirks, and then the plot points sort of start to flow. Then I know who needs to be involved in each scene. Hope that helps!
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Really great comments in this thread. I echo what Molly shared, Brian Herskowitz's outlining webinar is a fantastic resource