Movies like 'The light of my life' and 'My dinner with Andre' are more about the characters and so the dialogue drives the story. On the other hand, films like 'Cast away' and 'The Revenant' rely primarily on the action to drive the story forward......I'm trying to write a story that does both.........
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Tarantino, Hal Hartley, Whit Stillman, Ed Burns and even Kevin Smith would often write actors entire scenes of dialogue where the subjects they discuss have nothing to do with the plot. If you're doin...
Expand commentTarantino, Hal Hartley, Whit Stillman, Ed Burns and even Kevin Smith would often write actors entire scenes of dialogue where the subjects they discuss have nothing to do with the plot. If you're doing that kind of thing, it better be really fun dialogue. I've seen plenty of copycats fail at this because the lines aren't interesting, funny or that original. Stick to the story unless you got a really great exchange going that serves the characters well.
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My schools motto was FACTA NON VERBA (deeds not words). You judge a person by what they do not what they say.
Now depending on how you write will also depend on what you lean on. I am have script where...
Expand commentMy schools motto was FACTA NON VERBA (deeds not words). You judge a person by what they do not what they say.
Now depending on how you write will also depend on what you lean on. I am have script where two guys are trying to figure if they should open a barrel that could contain a bomb or cash. This is super dialogue heavy. But I need a little action to set up the characters.
In my other script “The Valley” a man is hunting a teenage girl because she stole from him. Mostly action not much dialogue.
There is no right or wrong answer just tools.
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Dillon,
It is a common misconception that a film is either one or the other. And it's often a mistake to assign your work a category before you write. People tend to jump into a camp and stay there.
Wr...
Expand commentDillon,
It is a common misconception that a film is either one or the other. And it's often a mistake to assign your work a category before you write. People tend to jump into a camp and stay there.
Write YOUR story, Dillon. If you have a correct grasp of structure, your story with it's plot, characters and action will come out just right (with the required amount of drafts, of course).
A film that is considered a "character" piece always has a compelling story -- though often a somewhat contracted timeline and use of limited locations. Vicky Cristina Barcelona and American Beauty are two great examples. These characters sit on top of great -- although not necessarily prominent -- story lines.
And the best action films have terrific characters. Cast away and The Revenant both have tremendous character portrayals -- hence, Leonardo's Oscar.
If you really know who your main protagonists and antagonists are, and you drop them into a compelling story with a dynamic plot their characters will bounce, flow and compel all the way the the finish.
Don't fall into the trap of analysing films with a one-dimensional viewpoint. There is often more components to a successful film than is immediately obvious. Character is the most obvious, thus people wax lyrical on it; without understanding the foundations that hold the character up.
Get stuck into your screenplay -- and watch your characters reveal themselves as they negotiate the obstacles you place before them.
Best of luck brother!
Steve.
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"A character may have motivation but what does he/she do with it?"
i think that depends on the character and the situation. for instance: you might have a character who is normally cool and collected,...
Expand comment"A character may have motivation but what does he/she do with it?"
i think that depends on the character and the situation. for instance: you might have a character who is normally cool and collected, but an event, or series of events, gets them hurling profanity or murderous threats. they might not say anything, during action, because they are too busy trying to stay alive; or their talking a mile a minute to try to hide their fear/anxiety.
the manifestation of their motivation will be shaped by their characterization, goals and the various situations that character will go through (including interaction with other characters).
thanks guys.....i just like hearing other peoples viewpoints and talking about it since writing is such a personal endeavor....you can get lost.....I'm pretty confident in my latest drafts but its tak...
Expand commentthanks guys.....i just like hearing other peoples viewpoints and talking about it since writing is such a personal endeavor....you can get lost.....I'm pretty confident in my latest drafts but its taken me years of learning and honing to get there....Just pulling peoples opinions so thanks again.