Hey ladies and gents,
I've been active here on Stage 32 for a few years now. I'm mostly concentrating on pitching here (almost every weekend) and developing my projects. I live near Helsinki, Finland ... so I'm about as far from most of you as possible. Lately, I've started to think that maybe it's not such a good thing that I live so far away. Sometimes I "feel" that the executives evaluate me more according to my geographical location and my age (55) than my writing abilities. I seriously hope I'm wrong. I do hope there exists no such bias (even though I keenly realize that there IS) among executives and managers.
I'm a bona fide fantasy / horror / sci-fi guy. I have several good projects in active development, with filmmakers such as Marcus Nispel and Dan Myrick and multi Academy Award winning Weta Workshop attached. If it wasn't easy to set up projects before Covid-19, it's twice or thrice as hard now. For obvious and understandable reasons.
I think my pitching has improved during the last two years. At least if I gauge my success by the number of requests from execs. If you want to improve your screenwriting craft, it goes without saying that some degree of networking is vital. It's important to put your face and voice out there. You often have to do most of the heavy lifting yourself, but it feels good to find and have allies during this LONG quest.
Most importantly of all, you have to dare to FAIL. Not every pitch is perfect. You may have a bad day. The executive / producer may have a bad day. For a variety of reasons (which can often be psychological), you may not hit it off during the pitch. Usually you can feel the good rapport and vibe right away. Some execs are more timid and will mask their true emotions from you ... and still end up requesting your script, because they really appreciate the effort and sheer craft you put into your pitch.
If I feel that I've had a great pitch, and the executive praises it at the end of it ... but then decides to "pass" on it in his/her feedback due to some "petty" excuse, I tend not to pitch to that same executive ever again. Please remember that you can't expect everyone to like your mug or your material. But it's important NOT to take it PERSONALLY when the pitch FAILS, but to learn from your MISTAKES.
More often than not nowadays, I'm NOT looking forward to hearing from the exec what is wrong with my pitch, because whatever elements of it you and some other exec may prefer, doesn't necessarily work at all for others. Someone may insist upon hearing your personal connection to your material (keep it brief), learning more about the motivation of the antagonist (recommended, even when you both know that 8 minutes flies past very fast) or hopes to learn more about some exotic and weird sci-fi tech you introduce in your pitch (you better keep it SIMPLE and VERY understandable).
I have some scripts, which are easier to pitch than others. In my personal experience, mixed genre scripts are often frowned upon, unless you do a truly scintillating job of character and world-building during your pitch. Whatever you end up doing, make sure that the recipient (exec) remains mentally onboard and present for your protagonist's journey and motivation during those 8 minutes ... and please don't forget / neglect to do the same for your antagonists. It's IMPORTANT to stay civil and friendly (not to mention keeping your insecurities in check) throughout, even when you know fully well that you're never going to be in touch again.
I am regularly submitting my scripts to various Stage 32 competitions. I've scored Quarterfinalist and Semifinalist positions ... but that final "fortune and glory" still eludes me. It can be disheartening, but as a writer, you should never give up on your dreams ... always remember that A WRITER WRITES.
Have a great summer, everyone. Please remember that if an older Finnish dude (living in north-eastern Scandinavia) like me can hook up with established and successful filmmakers / effects companies through blood, sweat and tears, SO CAN YOU. Never give up, but wear out those callous sceptics and snarky naysayers. You may only need ONE executive / manager / producer, who says "yes" and asks you to submit your script and thereby gets the ball rolling. Only ONE. Food for thought ... I hope!
Best,
Juhani Nurmi
1 person likes this
great news!
Hot hot hot whew !!! ※(^o^)/※
Congrats again, Keith.
Cordial congrats & Godspeed, Keith!
Way to go, Keith! Always glad to hear about the success of a fellow writer! Best of Luck sir!