Scriptwriting is all about creating emotional symphonies. Thrillers work to keep people on the edge of their seats. Horror shows play with the emotion of fear. Walt Disney once said for every laugh there needs to be a tear. If you’re not building up some emotion you're boring your audience.
One emotion that is exceedingly rare, but which can provide box office magic, is joy. Never has joy been more wonderfully presented in a movie than in the third highest box office success of all time (adjusted for inflation). People from around the world still travel to Salzburg Austria to visit the Locations where The Sound of Music was filmed. It’s been bringing joy to people for more than 50 years.
It does not bring joy to everyone. Before signing on to play Maria Julie Andrews was concerned that it was too sweet. Director, Robert Wise tried to give it some sharpness. Reviewer Pauline Kael despised it and actually lost her job for being so nasty in her review, including the line, “We have been turned into emotional and aesthetic imbeciles when we hear ourselves humming the sickly, goody-goody songs.” Critics aside, it was a huge success. Audiences who enjoyed the goody-goody loved it. Shockingly, it even won a best picture Oscar.
After the world fell in love with the movie Julia Andrews and Robert Wise were asked why they thought it did so well. Robert Wise said, ““People just feel good when they see it; there’s a sense of warmth, of well-being, of happiness and joy.” Julie Andrews answered, ““It’s very joyous. It’s refreshing and not too complicated. A love story, with children and music. And I think, from the enormous amount of mail I get, that word ‘joyous’ has an awful lot to do with it.”
Few filmmakers could pull this off because most feel more like Pauline Kael than Rogers and Hammerstein. Oscar Hammerstein once said, “I know the world is filled with troubles and many injustices. But reality is as beautiful as it is ugly. I think it is just as important to sing about beautiful mornings as it is to talk about slums. I just couldn't write anything without hope in it.”
There are audiences for what’s ugly, but there are huge audiences for what’s beautiful and joyful. Look at how The Sound of Music pulled it off.
First there was just wind and clouds, then wind and mountains, then birds chirping before the beginning of gentle orchestral music. The case was being made that all of God’s creation is alive with joyful music if you have a heart to hear it.
The camera then sweeps down on Maria with arms outstretched and palms up swinging around with very real joy in her heart. She sings of her heart being blessed as she appreciates all God has made. This reverent joy is very rare in movies.
The movie then contrasts this spontaneous reverent joy with the more formal praises sung in the abbey. While the nuns’ songs are beautiful, they seem dutiful and practiced rather than spontaneously inspired from within.
Then comes the amazing song, “How Do You Solve a Problem Like Maria.” The nuns argue about Maria’s good and bad qualities. She seems too wild for the discipline of the abbey, but very sweet and sincere. They conclude the song asking, “How do you hold a moonbeam in your hand?”
This deep joy as a character trait is very attractive and becomes all the more so when combined with the spunk necessary to stand up to Capitan von Trapp and bring joy to children being treated as soldiers. The “My Favorite Things” song teaches the children to think of joyful things even in difficult situations. The musical instruction in “Do, Re, Me” is accompanied by one of the most joyous and beautiful romps ever put on film. Maria even manages to bring joy to the movie’s official grump, Captain von Trapp. By bringing music back into the house, the captain is melted.
Shortly after The Sound of Music came out the Motion Picture Code was abandoned and MPAA ratings were instituted. Pauline Kael’s wishes came true. Hollywood dove head long into dark stories and more R-rated movies were made than all other rating combined. Today the thought of making something as joyful as The Sound of Music does not strike a note with studio executives. I hope one day it will. I believe the world would still like some joy.
I wish you the best on that. I do like mysteries.
The MicroCosmic Cartoon Show is such a movie. It is an animated/live action musical adventure in development. Let's talk.
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HI David, that's so good to hear about your vision. I have gone about that through comedy in my last screenplay, God's Plan B. It might not be in the orthodox background you have, but my main character comes from heaven to clean the mess up.
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That sounds like fun. I have angels in several scripts. I wish you well with God's Plan B.
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Nice to meet you Lyter.
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